BEFORE FEMINISM

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[Author’s note: I’ve been writing this story for what seems like forever. As a factual matter , it hasn’t been forever. I probably began it in 2007 or 2008.  The first version was in the third person, as if it were fiction; the protagonist was named Sophie. It seemed easier to write it that way. Every time I revised it, I would make small changes, but left it Sophie’s story.  It even went into this blog in September 2014 as Sophie’s story, a fiction. (It was called “Sophie Before Feminism.”) Ten readers “liked” it then and four or five commented, favorably. It’s had only sporadic readership over the years since then.  But I’m a stubborn cuss and reluctant just to leave it like that, especially as Sophie is now the name of one of my cats. So I’ve put it into the first person, where it always belonged, to see if it reads better that way.  What’s in it all happened a very long time ago, but it really happened.  If any of you remember the first version, you can tell me if this is an improvement. Or not.]

 

BEFORE FEMINISM

[A true story. With one name changed.]

I was again living with my parents. This was customary back then, if you weren’t yet married. I did have a boyfriend. But Ed was divorced with four children, had alimony and child support obligations. His job as an instructor at USC paid nearly nothing. He was also thirty-one, nine years older than I was. He rented a furnished studio opposite the Paramount lot, drove a broken-down ’37 Plymouth coupe, spent his spare time writing unmarketable novels. The silent parental disapproval was palpable.

Initially, Ed’s tweed jacket and MFA from Yale had been considerable attractions in this cultural wasteland to which my parents had dragged me after college. He’d also taught me quite a lot in his pull-out Murphy bed about what men like.  Still, my parents were right. There was no future in it.  He worked the summer session to make ends meet and spent August in Texas, where his children lived with their mother. All he could provide were modest weekend suppers, which I cooked on his two-burner hotplate, and the diversions to be found in the Murphy, now becoming routine. He wasn’t even apologetic. “We’re made for each other,” he crowed. I could manage only a false smile. I hated scenes, fled from conflict, chose the easy way. Also, there was no one else on the horizon.

I had to admit he’d been useful in one important way. I was now a graduate student at no cost in the USC English Department, thanks to a teaching assistantship I probably owed to his recommendation. I was only a year or so older than some members of the English 101 section I taught; the front row consisted mainly of vets newly returned from Korea. But I made sure to wear elegant suits with narrow skirts, handkerchief linen blouses, nylons with seams marching smartly up the back of my calves, and neat low-heeled pumps from Bonwit Teller – so no one could mistake me for a coed. I also sometimes sat on the desk, legs crossed like Lauren Bacall on Harry Truman’s piano, to appear more sophisticated and at ease than I felt.

My own graduate studies included British History 340 (MWF 2:00-2:50), an unwelcome but necessary undergraduate survey course. No survey course, no graduate English degree. It was surprisingly hard. Moreover, the thirty other students fanned out towards the rear of the auditorium, although mostly male, seemed useless for horizon-broadening purposes. They almost all looked too young. A somewhat older fellow with bad skin, up front on the left, nodded hopefully in my direction each time I slid into my seat up front on the right. I always pretended not to see. Two other older ones, halfway back behind me, sat together on their spines. Returning GIs? Neither paid attention whenever I sailed past.

Last Friday in October: the professor slapped the graded blue books containing our five-week British History exam answers on the first seat in front of the podium. 25% of the final grade right there. Would a B jeopardize my assistantship? The class line snaked towards the diminishing pile. I took a deep breath, flipped through the top ones and recognized my name. On the cover, a large A-minus. New questions quickly trumped relief. Was grading on the curve? Had anyone done better?

A voice with a distinctive crack disputed a grade. The owner of the voice waved his blue book in the air. It was clearly marked with another large A minus. Indignation rose sour in my throat. A-minus wasn’t good enough? He was arguing? As I watched, the professor re-marked his booklet with an A and altered the record of the grade in his grade book. The owner of the new A turned to the room at large with a smile of triumph. I recognized him. The taller of the two who sat on their spines. His achievement clouded my weekend.

How fortunate he was expounding crap as I came down the aisle on Monday. “The Jansenists were right,” I heard. “The world is evil and damned. And I’m evil and damned too. There’s no hope for me. So what can I be but a Jansenist?”

Such an opportunity! Partially turning, the better to show a curved hip and the relative flatness of my girdled stomach, I sweetly inquired: “But why call yourself a Jansenist? This is the twentieth century! If you eliminate God from your Jansenism, you could say you’re an Existentialist. Haven’t you read Sartre?” Sometimes I impressed even myself with the nonsense that emerged from my mouth when needed. His dark eyes had a downward tilt at the outer corners. It gave him an amused look.  “Hm,” he said. “I’ll think about it. Since you say so.”

“Do.” I felt much better about my A minus.

He was lounging against the stairwell banister when I came out after class. As faculty, I had an elevator key. The preliminary repartee was predictable. It got him into the elevator with me. Our trip to the lobby was brief and silent. He looked at me. I looked at him. He was tall, a tough guy – but with a full mouth, pale skin, dark crew cut, and those amused eyes. He needed a shave. He wore a heavy navy blue sweater with a large white ND on it. Too soon the elevator door opened. “Well, thanks,” he said. “It was a pleasure. See you Wednesday.” I so much didn’t want to forget any part of this encounter that I wrote it all down as soon as I got home.

Wednesday: He had shaved. He was very polite. He gestured to the empty seats next to me: “Anyone sitting here?”   I smiled, shaking my head. He left one seat between us. The lecture began almost at once. We both took careful notes. I couldn’t have repeated a single thing I wrote.

We again rode the elevator in silence. Outside he asked if I’d like a cup of coffee. We walked on slabs of sidewalk between wide swaths of late autumn grass. The mid-afternoon sun was shining. It was like being in a movie. He offered to carry my books. No, no, I could manage. He insisted on taking them. No one had ever carried my books before. I knew we were talking about something, but the actual words didn’t count. Another something, very powerful, was pulsing between us. We reached Commons. The other teaching assistants from the English Department were sitting together at two tables and saw him holding my books as well as his own. I suggested we go sit with them but he said no, we should go downstairs. So the other teaching assistants also saw us go down to The Hole, where only undergraduates hung out. What did it matter? My real life was beginning at last.

We found an empty booth. He slid in opposite me. I ordered my coffee black, with saccharin. (I counted calories in those days, so as to look good naked.) He poured lots of cream and sugar in his and put away a big slice of blueberry pie while he told me about himself. I was so preoccupied with leaning my chin on my hand and hanging on every word I forgot to ask his name until he suddenly said he had to go. It was Yates. Like the poet’s, only spelled differently. And his first name was William, also like the poet’s. Will, he said. The middle name was Benedict, not Butler, but at least the initial was B. I loved it that someone who looked so tough had a poet’s name. Well, nearly a poet’s name.

When we went for our second coffee on Friday, a buddy of his caught up with us, so Will sat next to me. Maybe to show the buddy I was his. Although the buddy seemed to know about me already, whatever there was to know. He soon left for a date with a girl who was helping him with his German. After he was gone Will explained it wasn’t a date, exactly. The girl the buddy was meeting was a prostitute from Germany and he had to pay for the sex; only the help with German was free. The idea that I had just met someone who paid women to let him inside their bodies was so astonishing I couldn’t think of anything clever to say, so I just tried to look amused and knowing, and asked instead if he was a really good friend. Then Will hesitated a bit before saying they had only had a couple of classes together. But the buddy, casual acquaintance or no, brought us closer together. For our third and fourth coffees, on the following Monday and Wednesday, we went on sitting side by side. Although I did notice Will was still being very careful no part of him touched any part of me. I wasn’t sure why. Even though going slow was supposed to be a sign of respect, he must know, I thought, that I knew neither of us were playing games.

However, before the third coffee came a weekend. That Friday evening in the pull-out Murphy bed, Ed toiled between my thighs without success. His head conveniently out of sight, I could go on thinking about how Will had grown up in a place in Boston called Southie, which I understood to be a poor neighborhood or maybe even a slum because he’d said he used to hang out with street gangs. He’d enlisted at sixteen by lying about his age. (He was actually only two years older than I was. Perfect!) But the war in Europe was over by the time he’d finished basic training, so they’d shipped him to the Pacific. Fortunately, he missed the bad parts, like Iwo Jima, because MacArthur picked him to be in his Honor Guard instead. (The Honor Guard was all tall white guys, he explained.) After discharge he’d eventually gotten his high school diploma and gone to Notre Dame on the GI Bill. He’d also told me how once, during football practice, he scored the perfect touchdown. It didn’t count, he said, because he was only the third string quarterback, but he didn’t care, because he had done it and he knew he had done it.

Ed looked up at me over my stomach and asked how I was doing. I apologized for taking so long. Then I thought about how Will had finally walked out of Notre Dame one semester before graduation because he’d become disillusioned with the hypocrisy of the Church. (Which was the reason he was finishing up his last year out here; he’d started in February and now was nearly done.) That was so principled and brave of him there was no way I was going to be able to come, no matter how long poor Ed kept at it. It didn’t occur to me to fake it. (Expedient fakery would be an acquisition of my thirties.) I encouraged him to forget it and finish up for himself. “I must be catching something,” I explained. On Saturday night, I said my period had arrived unexpectedly. I put the diaphragm back in its case in his bathroom cabinet and we went to the movies instead. By then, I could hardly bear to hold his hand. I wondered if I ought to be feeling guilty, or at least selfish, but all I could feel was glorious anticipation.

Will was unhappy at our Monday coffee. He said he hated his life and especially hated having to work after class selling Hoover vacuum cleaners door-to-door to ladies who already had an okay vacuum cleaner and didn’t need a new one. He really wanted to stay longer in our booth in the Hole. He wished we could stay there forever. On Wednesday he even walked me from Commons to the faculty parking lot and seemed to have difficulty leaving. I considered this a promising development and wondered when he would ask me out. He was certainly taking his time. One thing I did know: absolutely no more weekends in the Murphy bed.

Ed had a late afternoon class on Wednesday. I drove to his studio immediately after leaving campus, let myself in with the key he’d given me, stealthily removed my diaphragm from his bathroom and tiptoed out, locking the door behind me. I’d have to keep the diaphragm case at the bottom of my purse because I couldn’t leave it at home, my mother looked everywhere. But it was a big purse, there was room.

On Friday Will was apologetic. He had to go right after class. He was sorry. So sorry. Coffee would have to wait until Monday. I telephoned Ed to say I was ill, had skipped history class and gone right home. Fever of 103. If I were better on Saturday, I’d let him know, but I felt awful and it didn’t look good. I was sorry. So sorry. I spent the weekend douching in the bathtub to clean every trace of him out of myself. My mother kept asking through the door if anything was wrong. Between baths, I studied British History. It reminded me of Will.

My first Freshman English section met at 9 a.m. on Monday. I was there five minutes early, in suit, pumps and makeup — looking pretty good, I thought. The students drifted in. Just as I was closing the classroom door to begin, Ed’s face, red-eyed and distraught, appeared through the glass panels. The students strained to see what was going on. “You’ve left me,” Ed sobbed, not quietly. I heard a suppressed giggle from somewhere behind me. “Ssh,” I hissed to Ed. “I’m teaching now.” Couldn’t he just slink away and lick his wounds by himself? “You took your diaphragm!” he exclaimed in strangled grief. A freshman football player trying to enter the room around him did a second take and smirked.  “You’ve left me for someone else!”

“And?” I closed the door on him, turned to my class and shrugged. They laughed. I knew I should have handled it better, and managed to not smile back. Then I took attendance, chewing the inside of my mouth to keep the corners from turning up. Everyone was unusually attentive. It was a rewarding class.

I was afraid Ed would reappear at any moment during the rest of the day, but he kept his distance. Now and then I thought how awful he must be feeling, but that made me feel awful myself. I tried to reason myself out of it. Didn’t he understand that we couldn’t have gone on endlessly, with me just providing the sex in his financially constricted life but getting nothing else out of it? Didn’t he have any remorse for his exploitation of my youthful optimism, my good nature? It had to stop. I was entitled to a life, too.

Then I was at last in the Hole again, sitting side by side with Will. His bare right forearm lay on the formica table parallel to and no more than a quarter inch away from my bare left forearm. I looked at the two arms, so close together. The skin on his was paler than the skin on mine, as if he hadn’t been in the sun at all, even last summer. And it had fewer hairs on it than Ed’s or my father’s. It was foreign flesh. Pale muscular foreign flesh, sparsely dark-haired. So different. So exciting.

“I want to go to bed with you,” he said.

I went on looking at our arms. Well of course. Wasn’t that what I wanted, too? How honest he was!  “You have to understand,” I said carefully. “I don’t just do that. With this person and then that person. When I go with someone, it has to mean that we’re together, really together.” I stopped short of mentioning love. I wanted him to say it first.

“I do understand,” he said solemnly.

Now I had to say yes or no. If I said no not yet, would that mean I wasn’t the sophisticated woman he took me for?   I didn’t think I could say no. “All right then,” I agreed. “If you really mean it.”

“ I really mean it. Let’s go.” He started out of the booth.

“Wait! Go where?” This was all happening very fast.

“I’ll find somewhere.” Up the stairs he went, to the public phones on the street level.

His car was a green ’51 Pontiac. He put our books in the trunk, next to some spare Hoover vacuum cleaner parts, and we screeched out of the student parking lot. I asked where we were going. He said he’d called friends in Covina who were willing to take in an early movie. Their key would be under the mat. Then he didn’t say anything else. He just drove, both hands on the wheel, eyes fixed straight ahead — with focus and speed appropriate to the driver of a getaway car. Maybe I was making a mistake.

“Considering what we’re about to do,” I said after a while, “you might be a little friendlier.” The car lurched to the curb, I heard him jerk the hand brake, he grabbed me like a starving man, his mouth opened on mine, my heart dropped, we kissed and kissed, I dissolved next to a hydrant on North Puente, and long afterwards I could still tremble when I remembered.

The rest of the ride was better. Will found a Thrifty Drug, where I bought spermicidal jelly and he bought fortified port wine. After we got back into the car, he took my hand while he drove with the other. “Tell me,” he asked, “do you always carry your diaphragm around with you?”

It was nearly dark when we arrived. There were two rooms. We tiptoed through the first, which had bookshelves, but that’s all I could see, because of course I had my glasses off. The second was the bedroom. He was clumsy at finding my buttons and hooks so I quickly undressed myself while he pulled off his sweater, shirt and pants and kicked off his shoes. Next I went to the bathroom. Sitting on someone else’s toilet squeezing jelly into the rubber cap, I reflected this wasn’t as romantic as I might have liked. But after I emerged protected and we’d drunk some of the port out of the bottle (I took only a few sips because of the calories), the passionate kissing started up again and reflection disappeared. Then his erection got in the way so we went to bed, he climbed on top and came very soon. “That’s okay,” he said, putting his arm around me. “There’s lots more where that came from. Once I came seven times in one night.”

I did like the arm around me.

The second time I managed to get a pillow underneath myself before he mounted; it didn’t help much. I wondered if it was because his penis was rather slender compared to Ed’s, but decided that was probably not it, since it was long enough and hard enough, and certainly energetic enough. More likely, it was just that he seemed not to know what to do with it except come as quickly as possible. He didn’t even seem very concerned that I hadn’t. I would have to give lessons. Very delicately. I forgave him. For now. How could he have learned about lovemaking, given his rough and difficult life? He might have been mostly with whores, like his buddy. Maybe I was his first real girl.

The third time I suggested I get on top – which was apparently such a novelty to him that again he came almost at once. Instead of apologizing, he beamed. Finally, out of desperation, I offered to go down on him, to empty him out a bit.  But just as he was about to come rapidly a fourth time, we heard a key in the lock. All I could remember after that is cowering naked and scared under the sheet while Will pulled on his pants and went to the front door for whispered negotiations. We had ten minutes to wipe up, make the bed and get out of there.

He was hungry. At a drive-in near the university he ordered a double cheeseburger, extra large fries and a malted. I held off, lit a cigarette and tenderly watched him put away his food. Men were really just little boys, weren’t they? But after he’d finished the last crumbs, he remarked only that we’d better be getting back to the faculty lot for my car. Was that all he had to say? I looked away through the side window, so he shouldn’t see my disappointment. He did ask for my phone number, though, and memorized it right there. He didn’t have a phone himself, he said, but he’d find a way to call. He nodded twice when he said it, for emphasis, and repeated the number out loud afterwards, to show that now he really knew it.   He also leaned over and gave me a little kiss on the lips, when we reached my car. The next morning I slipped Ed’s key into an addressed envelope and dropped it in a mailbox on the way to school.

The phone rang Wednesday evening as I was finishing dinner with my parents. It was Will. He had some free time. Could I come out with him in about ten minutes? We did some fooling around in the green Pontiac before he explained that he hadn’t been able to find a place for us to go. Would it be all right if we just had a bite and wandered around? Silly boy. Did he really think it wouldn’t be? He drove to a restaurant on Hollywood Boulevard where I watched him put away half a large roast chicken and mashed potatoes with gravy, a dish of cooked sliced carrots glazed with honey (he said he liked carrots very much) and two ice-cream-soda-sized glasses of chocolate milk. He spread a pat of butter on each of the two white rolls that came with the chicken and wolfed them both down for dessert. “How can you eat so much and not gain weight?” I asked. “I burn up a lot of energy,” he said. “Can’t you tell?” I guessed I was supposed to giggle at this, so I did.

We strolled out of the restaurant hand in hand and went to Pickwick’s, where we gazed at the shelves in the literature section and I talked about Proust, which I had read most of and he hadn’t, while my curled fingers slid up and down his thumb. His goodnight kiss at my front door seemed almost reverent. I felt we might be together forever.

On Thursday he sauntered into the English Department office and up to the open door of my cubicle unannounced while I was in conference with a Korean War vet from one of my sections who was seeking guidance (he said) with setting up his next semester’s courses. Will and the vet eyed each other suspiciously. It was wonderful. When the conference was over, Will and I went out into the late afternoon. I had a graduate seminar on Dryden and Pope in half-hour but didn’t mention it. We stopped to watch a football practice. The field was walled on the side near the sidewalk so that I couldn’t quite see over, even on tiptoe. Will noticed. He put down my books and lifted me so my head was level with his and we could look together. I had no idea what I was watching or what it meant, but for those few moments that his arms held me up with my feet off the ground, how could I not be happy?

He took me to a studio apartment much like Ed’s but closer to the university. “Whose place is this?” I asked. “Don’t worry,” he responded soothingly. “We can use it all afternoon.” That didn’t answer the question, but I didn’t press it. I had another problem. Now my period really was here. I told him as he was lowering the Murphy bed from the wall. He said it didn’t matter, he didn’t care.

He did care about not making a mess, though. With a thick layer of old newspaper crackling under my naked behind every time I moved, and toilet paper and my last unopened Tampax within reach on the floor next to my side of the bed, the afternoon began to seem more about keeping the bed clean than abandoning myself to the transports of love. Did I dare turn over? Was my ass covered with newsprint? Was now the time to pull the plug and let him in? I groped for the little white string with one hand; it was slippery and wet and impossible to yank. Then I wrapped a thick wad of toilet paper around it and gave mighty tugs with the thumbs and forefingers of both hands until finally out came the used and swollen tampon, hot from my body and soaked dark.

“Wait!” I cried, holding him off with elbow and knee while I wrapped the detritus of my innards in more and more toilet paper until I could see no more seepage. Predictably (and mercifully), he came fast, at which point I could push him off — lovingly, I hoped — in order to insert the last clean Tampax before there was damage to the sheets. That pretty much ended the promise of the afternoon. I wondered if I wouldn’t have been better off at the Pope and Dryden seminar.

His cleanup was thorough. Bed carefully remade and folded away. Roll of remaining toilet paper replaced in the bathroom. Stained newspaper, soiled toilet paper (with its contents), and my three cigarette butts into a garbage bag. Ashtray wiped down. And then out — holding the garbage bag, to dispose of elsewhere — after checking that nothing was left behind. As he locked the outside door, I peered at the name next to the bell. “Yates.”

“Then this is your apartment!”

“No, “ he replied. “But it used to be.” As if that were an answer. He hurried me into the car.

I thought I would see him the next day. But a teaching assistant meeting had been scheduled for two that afternoon, so I had to cut British History. Two cut classes in as many days; my life was going out of control. At the meeting, another teaching assistant who was my best friend in the Department whispered that Ed had called to ask for a date and she had said yes. As I’d broken up with him she thought it would be all right. They were going out Saturday night.

For sure he would try to get her into bed. Not because she was so gorgeous but to get even.  Would she yield? On the first date? She was still a virgin. (Unless she was lying.) But he was very skillful. Should I warn her? Maybe she wanted to be deflowered. Maybe she’d been secretly jealous of me this whole semester. We never know the real truth about anyone, do we? The Department Head was discussing the last composition unit of the fall Freshman English semester. Did he actually believe you could teach anyone to write? Afterwards I walked over to Commons with the best friend to show no hard feelings, and we had coffee with the others who’d been at the meeting and were jabbering about what the Department Head had said. I kept my eyes on the door but never saw Will come in looking for me.

I didn’t hear from him all weekend. I tried not to think about the apartment with his name next to the bell or what he might be doing when he wasn’t in school or selling Hoovers door to door, and thought instead about what Ed and the so-called best friend might be up to.

On Monday, I cornered her. “So? How was it?”

“Fine.”

“Going to see him again?”

“Don’t know yet.” She didn’t look particularly glowing or fulfilled, but maybe she was simply distracted; she had a class in five minutes. What did ‘fulfilled’ look like anyway?

Two o’clock finally arrived. There was no time to ask Will about his weekend. After the lecture, he carried my books again, though. And the sun — I would always remember the sun was still shining and we sat on a bench for a while to enjoy it. “Thank goodness next Thursday is Thanksgiving,” I began. “A four-day break. We’ll have some real time together.” He looked uncomfortable. “Well, no,” he said. “We won’t. I can’t see you then. My mother’s here.”

He’d never mentioned a mother before. Should I suggest he introduce us to each other? No, the thought should come from him.

“You won’t have to spend all that time with her, will you? Thanksgiving dinner on Thursday, of course. But all four days?”

He nodded sadly.

“But Will, why? Doesn’t she understand you have a life? I mean, it’s not as if you were married!”

He took a deep breath. “Actually,” he said, “I am.”

His wife was seventeen. He’d knocked her up on the beach at Santa Monica the previous May. She’d been a virgin. Catholic, too. So how could he walk away? The wedding had been in August, before it really showed. Her family was helping them, until he got his degree. In fact he was living with them. I couldn’t process it fast enough. Seventeen? It was those cashmere sweaters, he said. All the coeds in their cashmere sweaters. After Notre Dame it drove him crazy. And she was pretty. Smart, too. She wanted to be an electrical engineer. So once he got her panties off.…

“But if you were married,” I cried, “what did you think you were doing with me?”

He looked down at the ground. After a while he said quietly, “I thought I could have a wife and mistress both.”

Mistress? What did he think this was? Some kind of Victorian novel?

“Can I still go on seeing you?” he asked.

I couldn’t give him up now, just like that. Temporize, I told myself. Play for time. Cry later.

He looked happier when I said yes.

We walked to Commons. His mother really had come for Thanksgiving. She was staying in the apartment with “Yates” on the doorbell; he’d kept it after the wedding as a place to escape to. She was also job-hunting, she might move out from the East, he was her only child. I nodded. And nodded. What could I say? He went on, suddenly a fountain of information. The new Mrs. Yates was called Mary, she’d had to give up school this year because of the baby, she was a good sport ….

Thigh by thigh we sat in the Hole. The buddy who was learning German from a prostitute passed and waved. He must have known all along. I felt dirty.

“I wish we could run away to Alaska together,” Will said.

“I wish it had been you I met last May,” he said.

“I wish I were a better person,” he said.  That’s about as contrite as he got.

He called on Thanksgiving, around ten o’clock, from a phone booth on the corner near his in-laws. “I had to get out for some air,” he said. I was ready to meet him, but he had to go back.

We both got A on the History ten-week. I wondered how he’d managed, with so much going on in his life. I really had to study for mine. The week after Thanksgiving break he came to the house to pick me up. A theological student who was out of town had lent him a key to his room. It was a narrow sliver of space containing a single cot with black blanket, a metal desk piled high with religious texts, one folding chair, and a dark prie-dieu. On the disapproving walls were several crucifixes in various sizes. We sat on the austere black blanket and tried to kiss. Then we hung our clothing over the back of the single chair and did what we had come to do. It was all very sad, although Will seemed to be in good working order in spite of our situation.

Afterwards, we lay on top of the black blanket while he stroked my arm. I told him he would love the baby when it was born. It was going to be his baby, a part of him. I thought I ought to say these things to sound wise and warm, and to make him feel better, although I had no idea if they were true. He looked doubtful. “But I don’t want to be married,” he said. “The baby will make everything all right,” I murmured reassuringly, hating Little Miss Pure who couldn’t hang on to her underpants. I was dying for a cigarette. The theological student had no ashtray. “Let’s get out of here,” I said.

We went to Milani’s French Dip on Santa Monica near Highland. Plenty of ashtrays there. Our booth had a little box on it labeled “Swami Says.” For a penny, inserted in the appropriate slot, you could ask Swami any question answerable with yes or no.

“Do we have a future together?” I asked. Swami said no.

I fished another penny from my change purse. “Will we at least see each other until the baby comes?” Swami said no.

I counted out more pennies. “Will we go on being friends?” Swami said no.

“Is there anything we can do to change your mind?” Swami said no.

“All it can say is no!”

Will dropped my last penny into the slot. “Will the baby be a girl?” he asked. Swami said yes. Will smiled.

Then it unraveled. Will began to look for another job for when his classes would be over and had to hurry away after British History to go on interviews. The week before Christmas break, we went a last time to the Hole. He seemed resigned to what would be. I tried to memorize his face. “Time was out of joint for us from the beginning,” I began. “I guess,” he said. The buddy who was learning German from a prostitute came by; Will invited him to sit with us. They talked about the baby coming, and the job market, and it was almost as if I weren’t there at all. At the end of the last History class, Will said he had to go. He was still wearing his navy blue sweater. I was getting fond of it, now that I would never see it again. He put his hand out half way, then took it back and gave a little wave goodbye. I nodded and turned quickly, before he did. I wasn’t going to stand there and watch him walk away from me.

He must have taken the final with a different proctor because I didn’t see him in the exam room to which I was assigned. I got an A in the course and assumed he did too. Although what difference did it make, now that he was out of school and about to become a father?

Ed soon re-insinuated himself in my life. The business with the best friend had never gotten off the ground. He forgave me my trespasses. (Although he didn’t forget them.) All was (almost) as before. Except I did hear from Will once more. He phoned from a booth in the hospital one evening in February. The baby was a girl. He was naming her Cordelia, after Lear’s third daughter, so she should always tell the truth. “I had to call,” he said, “to say you were right. As soon as I saw her, I loved her. I wanted you to know.”

The following Christmas he also sent a card without a return address, wishing me the joys of the season and enclosing a snapshot of a ten-month baby girl with dark curls clinging to the bars of a playpen. The line drawing on the front of the card showed a naked showgirl sitting in a giant champagne glass full of bubbly with her legs and arms in the air. I looked at it for a long time, trying to make it feel less hurtful. I couldn’t. At last I tucked it in a file folder discreetly marked WBY, together with my notes of our first meeting and the Thrifty Drug sales slip for spermicidal jelly and port wine from that time we’d driven to Covina.

Eventually Ed’s ex-wife found a new husband, the alimony payments slipped from his shoulders, and he proposed. He should have known better, but didn’t. I was by now nearly twenty-four, only a year from old-maidhood. Fate had already dealt me what I thought of as a tragic blow in the true love department. So it seemed best to put away lingering thoughts of William Benedict Yates and accept what was offered.

Maybe it would work out.

 

EASIER SAID THAN DONE

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One of the “attractions” we visited last weekend during a short trip to the Berkshires was The Mount.  (I say “we” because I went with a relatively new acquaintance from Windrows who had proposed the trip and volunteered to do all the driving, which was about 3 1/2 hours each way from Princeton.)

The Mount is the house the novelist Edith Wharton designed and built in Lenox, Massachusetts, and occupied most of the time from 1902 until 1911, when she separated from her husband and moved to Paris.  It is white and cool — important in the sweltering pre-air-conditioned New York and New England summers — and sits on raised ground.  In the rear is a magnificent landscape of Italianate gardens, formal on one side, “natural” on the other. Although I’d been to Tanglewood, summer home of the Boston Symphony Orchestra in Lenox, several times in my several past lives, I was never before able to visit The Mount because it was under reconstruction each time.   However, for several years now it’s at last been open to the public.

I’m a sucker for gift shops at such places. I always want some little reasonably priced something to remind me I was there.  At The Mount’s gift shop you can buy heavy and expensive illustrated books of Italianate gardens and others about The Mount itself, which I didn’t.  You can also buy copies of most of the over forty books of fiction and non-fiction Wharton wrote and published during her lifetime, which I also didn’t.

According to the guide who led us through the house, she did the writing in bed from 8:30 to 11:30 every morning of her life, before arising to don the corseted, restrictive day clothes of her era. She tossed each handwritten sheet on the floor, later to be gathered and typed up by a secretary.  In her bedroom on the top floor you can see scattered on the bed photocopies of some of those pages — of The House of Mirth, written at The Mount.  The writing enabled her to enhance her inheritance so as to support expensive living in Paris and the Riviera. She was a great success in her lifetime.  (The three novels still generally recognized and admired today, whose titles you may recognize and movie adaptations of which you may have seen, are The Age of Innocence, The House of Mirth, and Ethan Frome).

Not surprisingly, several pithy sayings suitable for printing on cards may be found in the collected works of a woman who wrote so much. Again no surprise — such cards were indeed in the shop, and then they were in my purse, and now they are going to be in the blog.  ($4.00 each: How’s that for a reminder I was there? Ah well, the Mount’s reconstruction is still paying for itself.). Although faithful blog readers may be able to surmise why these two particular cards spoke to me,  I suspect they may have general relevance to most everyone past the first flush of youth. (Or else why would they have been in the shop?)

But first some Wharton back story.  She was born into New York high society in 1862, when women were discouraged from achieving anything but a proper marriage. Unfortunately, she was a bookish girl who read widely (in French, German and Italian as well as English), and early on yearned for a wider intellectual life than was thought seemly for those in her social circle. Her marriage to Ted Wharton was not good.  He was social, outgoing and apparently not much of a thinker; she relished solitude, books, and good conversation. There were no children. Eventually he became mentally unbalanced, they separated, and she achieved a divorce.  She is known to have had only one lover, after separating from her husband; the lover turned out to be a cad with a divorced wife, a mistress, a fiancee, and a propensity for sticking his pen in many inkwells. Nonetheless, she hung on for three years before giving up.  (Her private papers reveal that it was with him, at the age of 47, she had her first orgasm.) Afterwards, she continued her ongoing and copious written correspondence with male friends such as Henry James and Walter Berry, but seemed to have had no later intimates.

As she advises (on the card above), “If only we’d stop trying to be happy, we’d have a pretty good time.”  And perhaps she did have a pretty good time.  (Not to be cynical, but I can’t help thinking the money helped.  However, she earned it herself. And I do believe she enjoyed the writing as well as the spending.) Moreover, I once had a psychotherapist who said just about the same thing.  He asked me what I wanted.  I was fifty-seven.  I said I wanted to be happy. He said happiness was not the goal of therapy.

Another card (which I also bought) quotes Wharton’s thoughts on how to have a pretty good time without trying to be happy.  Actually, the thoughts are not specifically about not trying to be happy, but about how to stay alive — which I take to mean alive in all senses of the word — well after the age at which most (all right, many) people start to fall apart.

But it seems to me it comes to the same thing in the end:

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Be unafraid of change, insatiable in intellectual curiosity, interested in big things?That’s a tall order, about which we could talk for days. For one thing,  life is change.  Often we forget it.  Our lives continue day to day, seemingly the same.  Boring even.  And then, suddenly, boom! — it’s not the same at all.  And yes, it is scary.  Especially the older you get.  But what are you going to do?  Give up?  Or go on?  I’m not going to wax philosophical about intellectual curiosity or interest in big things, either. You’ve got it.  Or you don’t.  (Although I suppose you could force yourself because you know it’s good for you; better to be insatiable about learning something new than be insatiable about chocolate cake.)

But happy in small ways?  Well, sure. Small ways to be happy turn up all the time, usually when we least expect.  In fact, six of them turned up right in The Mount’s gift shop, next to the Wharton lessons in life. However, I’m also discovering that part of becoming old old (“long past the usual date of disintegration”) is pacing yourself.  So I’ll just save them for the next post!

THE DON (A story) (2 of 2)

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Clara switched on the downstairs lights. “Stay and have another cup of coffee,” she urged. Florence didn’t mind if she did. They sat at the kitchen table to consider what had just transpired.

Florence was not the ideal partner for this kind of analysis. Her lack of interest in style and grooming blinded her to the wife’s shortcomings in dress and makeup. Worse, she didn’t find Couteau as attractive as Clara did; his unfavorable report on her work in the Shakespeare seminar had jeopardized her scholarship and she’d had to write two more long papers over the summer to get it reinstated, understandably weakening her susceptibility to his charms. “It can’t be easy being his wife,” she observed. “I bet he’s a difficult man to live with.” Also she didn’t think his drinking out of Clara’s glass was going to lead to anything. She agreed it wasn’t what the typical don would do with the typical donnee’s wine glass, and further agreed he likely found Clara attractive, especially in that sophisticated corduroy outfit, or he wouldn’t have done it. That said, she was inclined to view the sip of wine as an error of judgment.

Here, Clara had to concede, Florence was the expert. Sloven or no, she had lost her virginity to a much older man almost as soon as she’d arrived at college three years before. Clara’s knowledge of her deflowering hardly constituted a confidence; she’d told at least six other people, all of whom had thoroughly discussed it with one another. He’d done it on the floor of his 57th Street art gallery, beneath a Picasso, the Saturday she went to New York to apply for a weekend job. It turned out there was no job. Just instant mutual attraction and a long affair. Even now they still connected from time to time, if their respective schedules permitted. (She checked her diaphragm in a Grand Central locker whenever she went home on school breaks.) Clearly her views on Clara’s future with their mutual don were entitled to deference.

“Look,” she said, “it was only your glass. If he really wanted to go to bed with you, why didn’t he kiss the back of your neck, or put his arm around your waist, or his hand on your tit? He could have done any or all of that while the two of you were looking out that damn window for so long.”

“No, he couldn’t,” Clara insisted. “You were there.”

“He didn’t care about me being there or he wouldn’t have done the thing with the glass. Besides,” she added, “you didn’t exactly encourage him. If you wanted to make something of it, why didn’t you turn around? You just stood there, for God’s sake. He must have thought you’d report him if he went further!”

So now it was Clara’s fault. “You really think nothing more is going to happen?”

“Not before he gets back to school,” opined this woman of the world who owned a diaphragm. “What do you expect him to do? Write you incriminating love letters? Call you on the house phone and explain to someone else why he needs to speak to you?”

“Then what can I do?”

Florence was buttoning her coat to get back to her own off-campus house. Behind as usual, she needed the Thanksgiving break to catch up on assigned reading. “Invite him over to lunch next term, after he’s back. Make hamburgers or something. This is a neat house for stuff like that. You could even serve it in your room. And see what happens then.”

Clara paced restlessly after she had left. Did she really want to steal him away from the wife in socks and become the wife herself – stepmother to his unseen little girl and slavey in his kitchen? Not really. But the delicious unhappiness of an affair with a married faculty member who couldn’t resist her: how could she not yield? Was it too dangerous? Would it jeopardize her degree? What should she do? What could she do? If only it had been a regular don-donnee dinner, without any of these troubling problems! She wished she’d eaten more of the wife’s cooking.

Taking Florence’s advice, Clara invited Couteau to lunch a few days before spring break. He seemed surprised, but accepted. In town, she bought a pound of freshly ground round, lettuce, tomatoes, ketchup, and also a few hard rolls in case he needed bread. Everyone else in the house agreed to stay away for this momentous occasion. Clara cleared off her desk, borrowed a second desk chair from another room and laid out two place settings, napkins, salt and pepper, the ketchup bottle, a basket of the rolls and two glasses. Couteau arrived just as the two half-pound patties of ground round were nearing completion in the frying pan. (A half-pound was what Clara’s mother had always made for her father.) Clara slid the meat onto plates already decorated with lettuce and tomato slices, and led Couteau up the stairs, each of them carrying a plate and an eight-ounce bottle of Coca-Cola. When he saw they were to eat in her room he hesitated momentarily, but then courageously crossed the threshold. Clara left the door open, to reassure him. “Where is everybody?” he asked.

“Why, at lunch!” she laughed gaily.

It was an awkward meal. Clara asked if the meat was sufficiently well done. He said yes, it was very good but a lot of food. Flushing with embarrassment, Clara said she thought that was the amount men ate. (This did not explain why she too had half a pound on her plate.) He said he had a class to teach that afternoon and would fall asleep if he ate it all. Hurriedly, she changed the subject and asked about his wife, his child. He said they were fine. He asked what she thought she might want to do next year. If she were applying to graduate school, he’d be glad to write recommendations, her last paper was really remarkable. She said she was putting grad school on the back burner for a while to see what real life was like. He nodded, and pushed his plate away. Half the hamburger was still there. Clara had finished all hers. He didn’t drink from her glass. He didn’t drink from his own glass either. Maybe he didn’t like Coca-Cola? He thanked her for the home-cooked lunch and got up to go. “We’ll have to do this again,” Clara said. “When you have more time.”

“When do I have more time?” he asked pleasantly.

As soon as he was out the front door, she hurried back upstairs. Damn him. Had he forgotten Thanksgiving, the heavy breathing, the sip of wine? And if he was regretting all that, if he had realized in the interim that a love between them could only come to naught, why did he agree to come to lunch and put her to all this trouble? He hadn’t even offered to help take everything downstairs! Well, of course not, why would he? That slavey of a wife did everything for him. She poured ketchup on the remains of his ground round and ate it angrily before stacking the plates. She had to make two trips because she had no tray, and had just managed to finish cleaning everything up, including the greasy frying pan, when some of her housemates returned from their own lunch in the dining room. “How was it?” they asked, curiously. They didn’t know about the heavy breathing and sip of wine.

“I’m certainly not doing that again,” Clara said, loss and indigestion throbbing in her midsection.

“Bad, huh?”

“Pretty awful.” She laughed hollowly. “And I thought I was being so nice. It just goes to show….”

 

And then it was really over. Parents began arriving for the commencement dinner. They sat on folding chairs on the small lawn in front of Clara’s off-campus house and exchanged polite remarks while waiting for it to be dinnertime. Photos were snapped. Couteau came looking for Clara in the dining room. How gracious he was to her parents, whose conventional views of life he had worked so hard, with only partial success, to eradicate in Clara. Although he sat at their table through the appetizer and entrée, chatting lightly of this and that while she hoped for a private look in her direction, he excused himself before dessert to join Florence and her parents at another table.

Following dessert and coffee Clara’s parents left too – because, said her father, it was a long drive home and they would have to get up early for commencement at eleven. Dutifully she walked them to their new Pontiac and then hurried back to the dining room. By then the dinner was breaking up. Some of the other parents were now calling taxis to go into town for drinks with each other. Clara made her way around clusters of people she didn’t know, past deserted tables littered with dirty cups and crumpled napkins, looking for Florence and Couteau. “Oh, they’ve left,” someone told her. “Her parents weren’t able to come after all, so he took her into town to the Spoon.” The Greasy Spoon was a drinking hangout. Clara had never in all her four college years been there. He took her? On the very last evening they could ever have together? Sloppy disheveled her? She swiped the last four brownies from a tray near the kitchen, wrapped them in two napkins and took them back to her room, where she ate them methodically at the desk which was no longer her desk, brown crumbs falling on her new yellow cotton dress.

The next morning the sun shone. Alphabetically by last name, the graduates lined up in black caps and gowns rented for the occasion, to sit in the first two long rows of folding chairs arranged on the broad front lawn of the administration building. Florence was two seats away. Clara leaned over the girl between them and poked her. She turned. “What happened at the Spoon last night?” Clara whispered.

“Nothing,” Florence whispered back. “He drank a lot. He looked pretty drunk by the time the place closed.”

“And then?”

“What then? I went back to my room.”

“And him?”

“He went home. At least he said he was going to.”

The girl sitting patiently between them suddenly made shushing noises. The faculty, also in caps and gowns, were filing solemnly out of the building to sit on a dais set up on the front portico. Ah, there was the college president, followed by the dean. Clara tried to make out Couteau under one of the black caps. Sour brownie rose up in her mouth, the taste of failure and gastric reflux. She swallowed hard and choked everything down, stomach acid burning her throat. A name was called, a diploma presented, hands shaken. She heard clapping from parents, families and friends of others coming from the seats on the grass in the rows and rows behind her. Another name. And another. The clapping grew slightly less enthusiastic. Too many names. It seemed to go very fast all the same. Soon she tensed. There. Her name. Up she went. Diploma. Handshake. A scattering of claps.

Afterwards there was some milling around, but everyone was anxious to get on the road. Couteau approached. Stay in touch, he said. She nodded. He walked away, out of her life. A few of the others from her senior house waved to her. Goodbye, goodbye. Stay in touch. She nodded again. You too. It was hard to say more without crying.

 

Clara kept the Neilson and Hill, but although Couteau had covered only eight of the plays in class, she never again opened it to read another. At first she feared she wouldn’t be able to duplicate her interpretive success with All’s Well That Ends Well. Later, dipping into Shakespeare slipped further and further down her to-do list. But when she was sixty, her two children grown and gone from the nest, her career as a patent lawyer settling into four unpressured days a week at a small boutique firm, she began to look back at her life and it crossed her mind she’d like to see Couteau again before he died.

Having obtained his present address and telephone number from the college and made arrangements for a visit, she discovered he now lived in a modest two-story house at the top of a very steep hill in Kerhonkson, a small town in the Catskills. Margaret Couteau opened the door with a warm smile. “He’ll be so glad you came,” she said. Although quite wrinkled, she otherwise hadn’t changed much, except for white hair and the extremely thick cataract lenses in her glasses that enormously enlarged her eyes.

Couteau, heavier and looking much older than his wife, sat hunched sourly in an easy chair before a television news channel with the volume turned up high.  Two canes leaned against the chair. He made no effort to get up, but did switch off the television with a remote. Then he stared at Clara for a moment, as if unsure of who she was, before extending a cold gnarled hand.

“His arthritis is very bad,” explained Margaret.

“Hello, Charles,” said Clara, as cheerfully as she could. “You do remember me, don’t you? Clara? From the class of ’52?

He continued to stare. “I remember you used to be angular and sharp,” he snapped suddenly. “What happened?”

Clara said nothing. It had been forty years. I was only angular and sharp for about two weeks as an entering freshman, she thought. Is it my mind he’s remembering?

“Margaret says you’re some kind of big shot lawyer now. So you sold out too.  Like most of the others.”

They had lunch in the adjoining kitchen. He needed the two canes to maneuver himself to the table. It was fillet of sole, peas and carrots. Clara noticed Margaret had actually shelled fresh peas and scraped fresh carrots. Couteau complained the carrots weren’t sweet enough. Clara had brought a good Bordeaux and the most expensive single malt Scotch she could find in her local liquor store. He nodded when Margaret showed him the bottles, but otherwise took no notice. When he had finished eating, he rose with help and stumbled painfully away for a nap on a sleeper sofa in the living room. “He can’t get up the stairs anymore,” explained Margaret when he was out of earshot. “He has to live down here now. We put in a downstairs bathroom.”

Clara helped her clear, wash up and dry. There was no dishwasher. Then they sat down at the kitchen table again. “This must be very hard for you,” said Clara. “Alone here at the top of a mountain. How do you manage?”

It seems Margaret did all the driving up and down – to get groceries, reach the drugstore, fill the tank of their fifteen-year-old Buick. Genevieve, the daughter, lived with another lesbian woman in Western Massachusetts. She did speak with her mother every week, so there was that. “But Charles is very disappointed Genevieve turned out the way she did,” said Margaret. “He feels it was some kind of failure. Unnatural, he calls it. He doesn’t want to talk to her when she calls.”

“How can that be?” exclaimed Clara. “His views about how to live were so liberating!”

“I don’t know about that,” said Margaret. “Charles was always quite a conventional man. He even made me stop working after we married. He didn’t think a wife should go out to earn money. You can see where that landed us.”  Then she noticed the expression on Clara’s face. “He did talk a good game, though,” she added kindly. “You weren’t the only student who found him inspiring.”

“You’ve got to get off this hill,” said Clara. “How much longer can you go on like this?” She wasn’t just thinking of the cataracts.

“Tell that to Charles.”

Couteau woke up in time to see Clara leave. He appeared somewhat anxious for her to be out of the house so he could turn on the television again. There was a program he wanted to watch. Only Margaret seemed sad to see her go. Before she came, Clara had imagined she might make a little joke about that sip of wine on Thanksgiving Day so long ago. All things considered, it was just as well she hadn’t.

 

 

THE DON (A Story) (1 of 2)

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[This story continues in the following post. Ideally, it should be read in one gulp. But a 5,000+ word post  might be pushing my luck.]

Professor Charles Couteau taught the full year Shakespeare seminar at the small experimental college Clara attended. It was tough to get in – especially as he hand-picked the lucky twelve or thirteen juniors and seniors who made it. However, Clara had never worried. As a freshman, she’d done extremely well in his Exploratory Literature course, which he informally called “Meeting the Serpent.” That in itself, she felt, made her a sure thing for the Shakespeare. In fact, she had sobbed in vexation when he refused to let her into it as a sophomore. To ease the year of separation until she became eligible as a junior, she asked him to be her don, a sort of in loco parentis figure established by the college to meet with each student for half an hour or so every other week and keep an eye on how things were going. He seemed pleased at the invitation. Her heart did a little flip-flop of happiness when he accepted.

Judging by the dates of his degrees from Columbia listed in the college catalogue, Couteau was about twenty years older than Clara. He was tall, broad-shouldered, had brush-cut red hair and blue-green eyes, wore rimless glasses, and chain-smoked Lucky Strikes with a slightly shaky freckled hand, exhaling the smoke with audible force. Once he mentioned he had played college football. And he was knowledgeable about so much that wasn’t just literature. The week they discussed Malraux’s Man’s Fate (in translation), Clara confided to her journal she sometimes wished she could be crushed in Couteau’s tweedy arms. Unfortunately he was married, to a woman no student had ever seen on campus, and had a three-year-old daughter named Genevieve.

The Shakespeare, when she was finally allowed to register for it, was no walk in the park. It met once a week for an hour and a half around an oval table where, under Couteau’s Socratic guidance, Clara and ten other young women, smoking heavily, struggled for a whole academic year to identify and analyze the social and psychological underpinnings of the important plays. Although campus gossip had it Couteau was a Marxist, that did not seem relevant to his obfuscations. Instead, what slowly filled the margins of Clara’s heavy Neilson and Hill Complete Plays and Poems of William Shakespeare were despairing pencilled notes about the terms of the culture and dichotomy. She scribbled comments about the impossibility of the human. Many years later, opening the Neilson and Hill, she would also find, in her own college handwriting: Hamlet ½ god, ½ man; Claudius ½ man, ½ fiend; Laertes ½ god, ½ fiend – and even then would have no idea what that had meant. Disjointed notes at the bottom of the last page of The Tempest read: Prospero induces freedom by being conscious of the human limitation. Exists only in relationships with other men. Absolute freedom not freedom. Personal immediate sense of love childish. Why had she written this? Because they were Couteau’s words, as nearly as she could reproduce them.

The less she was able to grasp what Couteau’s perceptions had to do with the stories so familiar to her since childhood from Lamb’s Tales from Shakespeare, the more she admired him. During one of their don-donnee conferences, she declared he should write a book. He smiled his adorable crooked smile. He had begun several times, he admitted. Then life intervened. The unfinished pages were in a drawer.

“Life?” asked Clara.

“Genevieve,” he replied.

Clara became bolder: “Lots of writers have babies. Your wife should encourage you! Doesn’t she understand how much you have to offer?”

The blue-green eyes looked deep into hers for a glorious moment. Then he asked how her term paper on Othello was coming along.

Clara was a fluent writer, but when she finally managed to disgorge the Othello paper just before Christmas it was apparently a disappointment. Couteau returned it with only two “Good!”s in the margins and many more “Develop!”s. Worse, there was no appreciative comment at the top, where at more conventional colleges, a grade might have appeared. She must have not yet sufficiently internalized his analytic vocabulary. As if to punish herself for this failure of devotion, she broke up with her long-time boyfriend during the holiday vacation. Till recently he had been enrolled at a university a safe half-continent away; now finally graduated, he was back in the East demanding payback for his two years of patient fidelity. Compared to Couteau, his personal immediate sense of love was so childish! She therefore had no dates at all during the whole ten days, not even on New Year’s Eve, which made it a relief to return in January to the thickets of iambic pentameter awaiting her in Neilson and Hill.

Couteau had news: he had bought a Victorian house in Bedford. It cost a pretty penny, and was mortgaged to the hilt, but it sat on four acres of land! His domain! He was practically chortling. They’d be moving in over the summer, after certain necessary repairs had been made. Then he’d have the whole following semester to settle in: he was taking a one-term sabbatical.

Her senior year, and he would be away for half of it! “Doesn’t all this lord of the manor stuff undercut your values?” Clara inquired acidly. An apartment dweller all her life, she was unable to share his enthusiasm for wide open spaces.

“How is that?” he asked. “I love uncultivated land in its natural state. The more of it around me the better. Then no one can box me in.”

It’s possible that by May, Clara finally figured out what Couteau wanted to see in a Shakespeare term paper. It’s also possible that the intellectual dichotomy between glorying in ownership of four acres and a big old house on the one hand and, on the other hand, finding the terms of the culture in every Shakespeare play made it impossible to be fully human — had simply eviscerated Couteau’s interpretive standards. Whatever the reason, he could not have written a better comment about her second term paper, on All’s Well That Ends Well:

This is one of the smoothest and tightest jobs I have ever read. “Words and thought” do match, and “feeling,” form and content too. You have made it sound like a fascinating novelette, with no sacrifice of interpretation.

Congratulations! Publish it.

Oh joy! She read these intoxicating words at home, where he had mailed the paper after the school year was over. Of course, she wrote to thank him. He replied that she deserved it. He signed his note “Charles.”

In early November of Clara’s senior year, Couteau telephoned the college switchboard to invite her and his other senior donnee to his new house in Bedford for Thanksgiving. Apprehensively, Clara opened the closet in the off-campus house where she was now living and was glad to discover her green corduroy outfit with full skirt and paisley blouse still fit, sort of, although it had been bought three years before. She did have a few of the freshman fifteen remaining on her hips, and there was a little bulge in her stomach especially evident in profile. But after she moved the waistband hook as far as possible, the bulge was less noticeable. If she ate very little in the week left before Thanksgiving, perhaps it would disappear altogether.

Couteau was picking them up in his car because the trains from their college town to Bedford didn’t run often enough on holidays. Florence, the other donnee, showed up at Clara’s house at the appointed time. Clara knew her but not well; she was rather messy and disorganized. Her preparations for this special occasion seemed to have been minimal: she had unearthed a respectably clean skirt and shapeless sweater, bleached the dark hairs on her upper lip yellow, and applied an unbecomingly purple shade of lipstick. Clara said she looked nice. She said Clara looked elegant and no, not fat at all. Then there was honking from the street, so they bundled up, hurried out, and climbed into the back seat. All the way to Bedford Clara wished she had thought quickly enough to sit in front next to Couteau.

They hadn’t seen him since the end of May. He seemed another man now, relaxed and jovial, as if they hadn’t been his student donnees. While he drove, he told amusing stories about moving into the new house. Florence supplied most of the necessary “And then what?”s while Clara gazed at the back of his neck and tried to decide how she would feel if he fell in love with her. Maybe twenty years was too big an age difference. Although that was exactly what made it so exciting to contemplate.

Too soon they arrived. There was much wiping of feet on the doormat and taking off coats in the front hall. His thin wife came out to greet them, flushed from kitchen heat, carrying a wooden spoon and dressed in a shabby sweater and baggy skirt around which she had wrapped an apron with food stains on it. Margaret was her name. Clara had been speculating about this wife for over three years and was pleasantly gratified to see how far she had, in the words of the ladies’ magazines to which Clara’s mother subscribed, “let herself go.” She wore socks. She hadn’t shaved her legs. Had she cut her hair herself? And no makeup at all: how did she expect to keep him, such a robust man in the prime of life? Clara began to feel very attractive.

The wife returned to her kitchen; Clara and Florence were ushered into the living room. There Couteau poured red wine into three glasses waiting on a tray. No, Margaret would not be joining them; she was still attending to the turkey and and feeding their little girl in the kitchen. Would his little girl appear? Perhaps later, briefly. He didn’t believe small children should have a role at adult social gatherings. There was chat about the college; Couteau shared some confidences about inter-faculty politics. Clara sipped carefully. (How many calories in a glass of red wine?) They toured the ground floor of the house, glasses in hand, while Clara admired this and that because it was clear he was expecting it. The new house had very little furniture in it. Faculty salaries, he explained with a rueful grin. They returned to the living room to stand by a picture window with a panoramic view of his property.

Then it happened. He put his empty glass down on the mantelpiece and came behind Clara. She sensed him close, his body not quite touching hers but almost. He stood perfectly still. She stood perfectly still. She could hear his breathing, feel his exhalations on her neck. He said something about the trees in the distance. Mmm, she agreed, hardly daring to breathe herself. He reached for her glass, took it from her hand, sipped from it, and gave it back to her. He breathed heavily again, two or three times. She sipped from the glass too. From the same place his lips had been. Oh, oh, was she trembling? He mentioned something else about the trees. Was she supposed to turn around? If she did, her breasts would brush against him. Better not. Let him make the next move.

“Dinner must be nearly ready,” he said. “Let’s go find out.” He walked away. Clara looked at Florence. She had seen it all. But there was no time for discussion; dinner was indeed ready. Still shaking, Clara headed to the kitchen offering to help; the wife shooed her away. “No, no, you’re here as a guest,” she insisted. Clara did notice Couteau didn’t get up to help her carry the heavy platters laden with food from the kitchen, but decided it would have been awkward for him to serve his own students. The wife sat down to her own plate only when all the others had been served.

It was a huge, traditional Thanksgiving dinner, prepared from scratch. After turkey noodle soup, there were freshly baked Parker House rolls with pats of butter; salad with homemade “Russian” dressing; a large beautifully browned bird with chestnut stuffing and sherry gravy; candied sweet potatoes, creamed onions, buttered brussels sprouts; and for dessert two kinds of homemade pie – apple and pecan – with store-bought ice cream on top, followed by coffee and brandy. “This must have taken you days,” said Clara. The wife shrugged. “I like to cook. And now we’ll have enough leftovers for quite a while.”

“She is a good cook,” said Couteau.

How Clara would have loved to eat it all! But what if she were on the threshold of romance and might soon need to be naked with her lover? She sipped a little soup, avoiding the noodles, teased the lettuce out from under its generous layer of dressing, ate some sprouts and two thin slices of white meat without gravy, had one taste of the candied sweet potatoes and passed on everything else. Florence was stuffing herself like a pig. Clara had brought saccharin tablets to the table in her skirt pocket and surreptitiously dropped one into her coffee cup. She did permit herself real cream in the coffee because she didn’t want to make trouble by asking for milk. The wife rejected help with clearing, too. “It’s easier by myself,” she said. “I’m so glad you could come. It means a lot to him to be able to do this for his students.”

Suddenly the visit was over. If they left now, Couteau said, they could catch one of the few holiday trains back to the college. He hurried them into their coats and into his car. They reached the station just in time. No meaningful goodbyes. No tender pressure of the hand. “See you next semester,” he said cheerfully. “Be good.” A taxi was waiting at the college station. And then they were back at Clara’s off-campus doorstep. The house was dark. Everyone else was away.

Clara switched on the downstairs lights. “Stay and have another cup of coffee,” she urged. Florence didn’t mind if she did. They sat at the kitchen table to consider what had just transpired.

[To be continued…]

 

 

 

STUBBORN

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I suspect some not entirely desirable character traits must be genetic. They persist, despite one’s own good sense and determination to bring some moderation to their expression.  Being stubborn is one of mine.  I can’t trace it back very far, being the only child of immigrants.  But my mother was no pushover on any number of issues I would have preferred she be more compromising about when I was growing up. And if anyone said anything with which my father disagreed, don’t think he was willing to discuss it.  I can hear him now:  “I’ve got news for you, mister.”

[Then I married a man as stubborn as I was.  (Two such men, actually, but I only had children with the second one, so it’s him of whom I speak.) Our older son got it in spades. During his adolescence, our dinner table was often where rock met hard place while his father and brother rolled their eyes — me being the rock, he the hard place.  Although his children are still both under ten, I understand that even now neither of them is a piece of cake to persuade. But, like many old people, I digress….]

Getting old does soften you, though.  As your energy level drops, so does the number of things that seem worth taking a stand about.  You begin picking your battles. Why get all worked up about A or B or C and shorten your lifespan?  Which brings me to the real subject of this piece:  a world many of you have probably never heard of unless you’re an American or Canadian aspiring or established writer — the world of the “literary review.” Most, although not all, literary reviews are associated with universities or colleges, appear two or three times a year, can usually be found only in university or college libraries, and offer their select readers poems, short fiction, “literary” non-fiction, and sometimes reviews and/or art work.  They pay little or nothing, but they do offer the writer appearing in their pages publication credits that may open the door to the next publication credit. They are therefore deluged with thousands of unsolicited submissions, otherwise known (but only unofficially) as “the slush pile.”

When young, I always thought I was going to grow up to be a writer.  I grew up to be many things, and wear many hats, but “writer” wasn’t one of them, mostly because I also always seemed to need to be making pesky money. Then I retired from practicing law (the last of my serial paid professions) and had time and a new iMac desktop, and began to write short pieces of non-fiction, and guess where I sent them.  I would send them out two or three at a time, usually by snail mail because that’s what was then required, wait patiently to be rejected, and (because I was stubborn) try again.  And again. And again. This was between 2008 and 2012. Eventually, I had a file drawer full of form rejection slips, or printouts of email form rejections, and only one acceptance — from an online magazine of the arts for women over sixty.  So with the wisdom of age I stopped being stubborn about being printed in a literary review and began to blog instead.

An acquaintance with some experience of literary reviews has observed that each one is like a private club. You need to be a member or to know someone in order to be fished out of the slush pile and read by an editor. So when I met someone else who knew such a someone at one such prestigious literary review and the first someone offered to put in a word for me, I sighed and polished up a new piece to the first someone’s liking. Then the first someone put in his word, and the second someone (at the review) emailed the first someone that they’d be on the lookout for my new piece. And a month (instead of three months) later, I received an anonymous form rejection — not even from the second someone — by email.

The wisdom of age goes just so far. Then the old genes kick in again. The first someone’s second someone didn’t want it, didn’t think it was “right” for his prestigious little review that most people who aren’t writers have never heard of?  Well, I was going to show him! Borrowing a phrase from one of the dingbats seeking the Republican nomination (I forget which), I was going to “carpet-bomb” the literary review world with my piece!

And so, dear blog readers, I have just spent nearly all of the past four days compiling a list of sixty-seven literary reviews and then looking up each one on the internet. That was in order to determine whether they were still up and running (two or three had ceased to exist); whether they accepted electronic submissions (f**k mailing paper copies with cover letters and stamped self-addressed envelopes); whether they print non-fiction; whether they are reading in January and/February (some stopped in December, others won’t begin till April 1, or June 1); whether they accept simultaneous submissions or require you to wait around the five or six months while they consider what you’ve sent before submitting it somewhere else. When I had done all that, there were twenty-four functioning reviews remaining on my list with electronic submission portals still open (plus the one for women over sixty, which I’m saving for later). Some charged $3, but what the hell.  For each, I had to create and record a password, upload the piece, write something in the “comments” section of the submission form, and record what I’d done in a small notebook, so I would have a record of where I’d sent the piece in the extremely unlikely event I get a bite and have to notify all the others that I’m withdrawing the submission.

I know this is nuts, and nothing will come of it, and I shouldn’t have wasted the four days, but I loved the expression “carpet bomb” (as long as the “bombing” is harmless), and I don’t like being pushed around. If I get twenty-four rejections, at least no one can say I didn’t try. It’s not often a person with “old old” on the horizon gets to be so satisfyingly stubborn.  It feels really really good!

 

 

 

HOUSEKEEPING

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Having spent an inordinate amount of my life in connection with school — going to endless amounts of school myself, preparing children for school, teaching school — it’s hard for me not to think of September as the real beginning of the year. (That stuff on January 1 is calendar business; you enter a new grade/class/year in September.) I even live in a university town!

So now that it’s really and truly September — yes, I can feel it in the air, and all the undergraduates are back — I decided to tidy up the blog again, in preparation for whatever may be coming out of me in the months ahead.  Apart from the fifty “Writing Short” pieces I did this summer, there were two long pieces of memoir, each presented in parts, that were written in 2015 and are now rapidly receding into the WordPress archives.

I’ve therefore pulled them back up and made them into Pages, in the event you’d ever like to see either of them again all in one piece, as originally intended, or know someone who might be interested in reading memoir.  The earlier-written one, “The Practice Boyfriend,” which first appeared in February, is now a Page called “Perry: A Memoir.”  It runs nearly 12,000 words, so don’t tackle it unless you’re prepared for a (somewhat romantic) lengthy read.  The more recent, “Losing Fifteen Pounds,” is now a nearly 7,000-word Page called “Getting to 128: A Memoir.”  In case you’re wondering: I changed the titles so that WordPress doesn’t confuse posts with pages in doing its tabulations.

Now, what shall I do next?  Any suggestions?

WRITING SHORT: 49/50

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[Come summer heat, much of my blogging momentum melts away. Hence an experiment until Labor Day: fifty minimalist posts about whatever.]

This is the forty-ninth piece in the series: My summer of writing short is nearing its close. What did I learn in the seven weeks since the first one? I discovered that I’d been wrong about everything except that I would stick it out. (If there’s one thing I do know about myself, it’s that I don’t give up easy.)

I thought I’d be freeing up time. I found myself bound to an inexorable daily duty of finding something potentially “short” and then cutting it down to size. This double task consumed more of each day than I could have imagined or care to admit even now.

It was clear that “short” needed a word limit, to keep each piece from metastasizing. I settled on 400 words as the maximum that might qualify, but had to subtract 21 words for the repeated introduction that held all the posts together. What can you say in 379 words that’s moderately interesting to at least a few people? And then how do you pare away what you’ve written, word by word, unessential sentence by unessential sentence, till you’re nearly there – and then rephrase, still more tightly, to come in under the wire? I must have revisited each finished piece three or four times before hitting “publish,” and then went on diddling with some after they’d gone into the world.

I did cheat by including four pieces written before this summer. (The last comes tomorrow.) But the other forty-six taught me that in writing, form doesn’t necessarily follow function. Here it was almost always the reverse. There’s so much you can’t do in 379 words — memoir, detailed narrative, a substantive think piece – that the form begins to dictate what you can say and how you say it. It would be hubris to compare it to sonnet writing (eight lines, six lines, and out – all in iambic pentameter) but except for  experiments with dialogue, a letter and quoting a poem, it was something like that.

These days readers seem to like “short.” Easy on the eye, on the mind, on how you spend your time. This summer I’ve persuaded myself there’s also much to be said for “longer.” It may take longer to read; it stays with you longer.  Isn’t that what we’re writing for?

WRITING SHORT: 45/50

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[Come summer heat, much of my blogging momentum melts away. Hence an experiment until Labor Day: fifty minimalist posts about whatever.]

Amos Humiston was a soldier who fought in the Civil War.  He died at Gettysburg in July 1863, clutching an ambrotype of his three children, through which he was later identified.

An ambrotype is an early type of photograph, made by placing a glass negative against a dark background.  It was only in use for about five years.  Its name comes from the Greek ambro(tos), which means “immortal.”

We don’t have Amos’s ambrotype anymore.  It wasn’t immortal. But we do still have his letters from the war. This is what Amos wrote to his wife Philinda on January 2, 1863, six months before he died:

“If I ever live to get home you will not complain of being lonesome again or of sleeping cold, for I will lay as close to you as the bark to a tree.”

Ambro(tos).

[Reblogged from December 11, 2013]

WRITING SHORT: 31/50

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[Come summer heat, much of my blogging momentum melts away. Hence an experiment until Labor Day: fifty minimalist posts about whatever.]

Whenever presented with a question more complicated than what the weather’s like outside or should a friend send back the weird new shoes she’s bought – in other words, something that requires what could be called thinking — I often hedge. That’s because I don’t really know what I think till I see what I say.

I may think I know what I think. But once I begin talking or writing about it, what I thought I think changes. Sometimes the result is simply a more dense and complex version of my instinctive response. At other times, what I see is not so simple to parse.

When I began this series of short takes on “whatever,” not knowing where “whatever” might lead, I anticipated lightness and whimsy – fifty breezy trifles fit for summer days. I’ve just reread the first thirty, one after the other. How dark so many are. Beneath their surface froth, they’re colored by shimmers of loss – lost youth, lost opportunity, lost loved ones, lost life, the slow, relentless approach of death. Even the butterflies of which I was so proud not long ago: they’re both gone now, having lived out their miniscule three-week lifespans, as I knew even then that they would.

I do make conscious efforts to evade such thoughts. Judging by my summer output thus far, it’s been a losing battle.

WRITING SHORT: 1/50

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Come summer heat, much of my momentum melts away. I thought of re-blogging till Labor Day. However, that’s too lazy for my punitive superego. Therefore the next fifty days will be an experiment: minimalist posts about whatever. This is the first one.

Brevity is hard for me. Short often takes longer than long. So perhaps I won’t be easing up all that much. Especially as I had thought I might use some of the extra summer time to work on a longish story now languishing unfinished on my desktop while I blog. A paradox: write less to spend more time writing.

Promising ideas like this one can also boomerang. But I won’t know until I try.

ROGER ANGELL ON LIFE AFTER NINETY

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Roger Angell and his dog Andy, January 2014.  Photo courtesy of The New Yorker.

Roger Angell and his dog Andy, January 2014. [Photo courtesy of The New Yorker.]

[The most viewed piece I ever posted was a summary of “This Old Man,” an essay written by Roger Angell. It had just been published in The New Yorker.  My post ran sixteen months ago, on February 14, 2014, But it still shows up in the stats as being read almost every day by one or more people somewhere in the world.

Initially, I credited its popularity to the fact that the TGOB post offered readers almost half of the Angell essay for free, whereas The New Yorker archives were not free then, except to subscribers. But now I think there’s something more to it than that.  As far as I know,” This Old Man” is almost unique in being written by someone with a clear and literate voice who was in the tenth decade of his life — 94 when the essay was published, 95 this year.

That may seem a long way off to most of you.  Not to me. In less than a month, I will be 84. So once in a while I go back and reread the post, to remind myself of what it may be like for me in just ten years, if I’m lucky enough still to be here then.  Of course, Angell has far more money than I do, and more connections, and more this, that and the other thing to perhaps ease his journey towards the end.  But I do believe most of the essentials about which he writes remain the same for everyone.

Of the sixteen people who clicked “like” on the post when it first appeared, I recognize the avatars of seven or eight.  But many newer readers and followers of TGOB may not have gone rummaging in the blog’s archives to find it.  Therefore, I hope those of you to whom it’s already familiar will humor me for running it once more.  It does make those of us who are only a bit younger, or even very much younger, stop and think.]

ROGER ANGELL ON LIFE IN HIS NINETIES

[A reblog]

Roger Angell was born in 1920. He is the son of Katherine White, an early and renowned fiction editor at The New Yorker, and step-son of E.B. White, author of Stuart Little and Charlotte’s Web. Angell himself has been associated with and written for The New Yorker nearly all of his professional life, more recently always about baseball, and still does a baseball blog for the magazine. I can take baseball or leave it (which is more than I can say for football, basketball or hockey), but mostly I leave it now that my two sons are long out of the house. So when I see something by Angell in the magazine, I’m inclined to skip it.

However, this week’s The New Yorker contains a long piece he has just written which is not about baseball. It’s called “This Old Man” (subtitled “Life in the Nineties”), and I could not put it down until I had read every word. Finding something good about getting old written by someone a bit older than me doesn’t happen every day! So I wish I could just copy out the whole thing here to show everybody. But it’s too long. (Pages 60-65 in the February 17 & 24, 2014 issue, the one with the annual Cholly Knickerbocker cover.)

Nonetheless, without pushing the outer limits of bloggery too far, I can probably offer a taste from the middle (about how the rest of the world treats you when you’re old) and then the last page and a half, about which I thought, oh yes, oh yes, oh yes, all the way to the tiny diamond which marks the end.

If you’re twenty-five and feel you don’t need to think about things like this right now, you probably don’t. Unless you’ve got a great-aunt or great-uncle still hanging in there, and want to know what it feels like. But your generation probably doesn’t read TGOB much, if at all. So this post is mainly for everyone else.

Because I’ve had to cut somewhere, I’m skipping the beginning and some of the middle, in which Angell describes his present pretty-far-gone physical condition (eyes, limbs, spine, heart), his personal losses (wife Carol, daughter Callie, dog Harry, many many friends), his remaining joys, his thoughts on death and dying. You can find the magazine online (Google it if you don’t subscribe), should you want to read it all. This part is from page 63:

We elders — what kind of a handle is this, anyway, halfway between a tree and an eel? — we elders have learned a thing or two, including invisibility. Here I am in a conversation with some trusty friends — old friends but actually not all that old: they’re in their sixties — and we’re finishing the wine and in serious converse about global warming…or Virginia Woolf…. There’s a pause, and I chime in with a couple of sentences. The others look at me politely, then resume the talk exactly at the point where they’ve just left it. What? Hello? Didn’t I just say something? Have I left the room? Have I experienced what neurologists call a TIA — a transient ischemic attack? I didn’t expect to take over the chat but did await a word or two or response. Not tonight, though. (Women I know say that this began to happen to them when they passed fifty.) When I mention the phenomenon to anyone around my age, I get back nods and smiles. Yes, we’re invisible. Honored, respected, even loved, but not quite worth listening to anymore. You’ve had your turn, Pops; now it’s ours…..

And here are the last two columns of page 64 and all of page 65:

I get along. Now and then it comes to me that I appear to have more energy and hope than some of my coevals, but I take no credit for this. I don’t belong to a book club or a bridge club; I’m not taking up Mandarin or practicing the viola. In a sporadic effort to keep my brain from moldering, I’ve begun to memorize shorter poems — by Auden, Donne, Ogden Nash, and more — which I recite to myself some nights while walking my dog, Harry’s successor fox terrier, Andy. I’ve also become a blogger, and enjoy the ease and freedom of the form: it’s a bit like making a paper airplane and then watching it take wing below your window. But shouldn’t I have something more scholarly or complex than this put away by now — late paragraphs of accomplishments, good works, some weightier-op-cits? I’m afraid not. The thoughts of age are short, short thoughts. I don’t read Scripture and cling to no life precepts, except perhaps to Walter Cronkite’s rules for old men, which he did not deliver over the air: Never trust a fart. Never pass up a drink. Never ignore an erection.

I count on jokes, even jokes about death.

Small Boy: My name is Irving and my dad is a mechanic.
Teacher: A mechanic! Thank you, Irving. Next?
Small Girl: My name is Emma and my mom is a lawyer.
Teacher: How nice for you, Emma. Next?
Second Small Boy: My name is Luke and my dad is dead.
Teacher: Oh, Luke, how sad for you. We’re all very sorry about that, aren’t we class? Luke, do you think you could tell us what Dad did before he died?
Luke (seizes his throat): He went “N’gungghhh!”
Not bad — I’m told that fourth graders really go for this one. Let’s try another.

A man and his wife tried and tried to have a baby, but without success. Years went by and they went on trying, but no luck. They liked each other, so the work was always a pleasure, but they grew a bit sad along the way. Finally, she got pregnant, was very careful, and gave birth to a beautiful eight-pound-two-ounce baby boy. The couple were beside themselves with happiness. At the hospital that night, she told her husband to stop by the local newspaper and arrange for a birth announcement, to tell all their friends the good news. First thing next morning, she asked if he’d done the errand.

“Yes, I did,” he said, “but I had no idea those little notices in the paper were so expensive.”

“Expensive?” she said. “How much was it?”

“It was eight hundred and thirty-seven dollars. I have the receipt.”

“Eight hundred and thirty-seven dollars!” she cried. “But that’s impossible. You must have made some mistake. Tell me exactly what happened.”

“There was a young lady behind a counter at the paper, who gave me the form to fill out,” he said. “I put in your name and my name and little Teddy’s name and weight, and when we’d be home again and, you know, ready to see friends. I handed it back to her and she counted up the words and said, “How many insertions?” I said twice a week for fourteen years, and she gave me the bill. O.K.?”

I heard this tale more than fifty years ago, when my first wife, Evelyn, and I were invited to tea by a rather elegant older couple who were new to our little Rockland County community. They were in their seventies, at least, and very welcoming, and it was just the four of us. We barely knew them and I was surprised when he turned and asked her to tell us the joke about the couple trying to have a baby. “Oh, no,” she said, “they wouldn’t want to hear that.”

“Oh, come on, dear — they’ll love it,” he said, smiling at her. I groaned inwardly and was preparing a forced smile while she started off shyly, but then, of course, the four of us fell over laughing together.

That night, Evelyn said, “Did you see Keith’s face while Edie was telling that story? Did you see hers? Do you think it’s possible that they’re still — you know, still doing it?”

“Yes, I did– yes, I do,” I said. “I was thinking exactly the same thing. They’re amazing.”

This was news back then, but probably shouldn’t be by now. I remember a passage I came upon years later, in an Op-Ed piece in the Times, written by a man who’d just lost his wife. “We slept naked in the same bed for forty years,” it went. There was also my splendid colleague Bob Bingham, dying in his late fifties, who was asked by a friend what he’d missed or would do differently if given the chance. He thought for an instant, and said, “More venery.”

More venery. More love; more closeness; more sex and romance. Bring it back, no matter what, no matter how old we are. This fervent cry of ours has been certified by Simone de Beauvoir and Alice Munro and Laurence Olivier and any number or remarried or recoupled ancient classmates of ours. Laurence Olivier? I’m thinking of what he says somewhere in an interview: “Inside, we’re all seventeen, with red lips.”

This is a dodgy subject, coming as it does here from a recent widower, and I will risk further breach of code and add that this was something that Carol and I now and then idly discussed. We didn’t quite see the point of memorial fidelity. In our view, the departed spouse — we always thought it would be me — wouldn’t be around anymore but knew or had known that he or she was loved forever. Please go ahead, then, sweetheart — don’t miss a moment. Carol said this last: “If you haven’t found someone else by a year after I’m gone I’ll come back and haunt you.”

Getting old is the second-biggest surprise of my life, but the first, by a mile, is our unceasing need for deep attachment and intimate love. We oldies yearn daily and hourly for conversation and a renewed domesticity, for company at the movies or while visiting a museum, for someone close by in the car when coming at home at night. This is why we throng Match.com and OkCupid in such numbers — but not just for this surely. Rowing in Eden (in Emily Dickinson’s words: “Rowing in Eden –/ Ah — the sea”) isn’t reserved for the lithe and young, the dating or the hooked-up or the just lavishly married, or even for couples in the middle-aged mixed-doubles semifinals, thank God. No personal confession or revelation impends here, but these feelings in old folks are widely treated like a raunchy secret. The invisibility factor — you’ve had your turn — is back at it again. But I believe that everyone in the world wants to be with someone else tonight, together in the dark, with the sweet warmth of a hip or a foot or a bare expanse of shoulder within reach. Those of us who have lost that, whatever our age, never lose the longing: just look at our faces. If it returns, we seize upon it avidly, stunned and altered again.

Nothing is easy at this age, and first meetings for old lovers can be a high-risk venture. Reticence and awkwardness slip into the room. Also happiness. A wealthy old widower I knew married a nurse he met while in the hospital, but had trouble remembering her name afterward. He called her “kid.” An eighty-plus, twice-widowed lady I’d once known found still another love, a frail but vibrant Midwest professor, now close to ninety, and the pair got in two or three happy years together before he died as well. When she called his children and arranged to pick up her things at his house, she found every possession of hers lined up outside the front door.

But to hell with them and with all that, O.K.? Here’s to you, old dears. You got this right, every one of you. Hook, line, and sinker; never mind the why or wherefore; somewhere in the night; love me forever, or at least until next week. For us and for anyone this unsettles, anyone who’s younger and still squirms at the vision of an old couple embracing, I’d offer John Updike’s “Sex or death: you take your pick” — a line that appears (in a slightly different form) in a late story of his, “Playing with Dynamite.”

This is a great question, an excellent insurance-plan choice, I mean. I think it’s in the Affordable Care Act somewhere. Take it from us, who know about the emptiness of loss, and are still cruising along here feeling lucky and not yet entirely alone.

You may not like the jokes. But oh, is he ever right! Here’s one more little bit to leave off with:

In the first summer after Carol had gone, a man I’d known slightly and pleasantly for decades listened while I talked about my changed routines and my doctors and dog walkers and the magazine. I paused for a moment, and he said, “Plus you have us.”

Another message — also brief, also breathtaking — came on an earlier afternoon at my longtime therapist’s, at a time when I felt I’d lost almost everything. “I don’t know how I’m going to get through this,” I said at last.

A silence, then: “Neither do I. But you will.”

FACT OR FICTION?

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Readers often wonder how much of a novel, novella or short story comes from the writer’s own life and how much is made up. Some literary critics (and some biographers) have built an entire career on teasing from literary texts published as fiction what may have really happened and what likely didn’t. Other critics — and probably all writers — maintain the fact-or-fiction question doesn’t matter because after the writing leaves the writer, it must stand on its own.

As a would-be writer, and certainly as a nearly life-long reader, I don’t think the question is worth pursuing.  What did or did not happen in “real life” is irrelevant to the merit,  or lack of it, of the completed literary work. Anyone whose reading of what a writer publishes is driven by prurient interest in the details of the writer’s life is not far removed from the reader of fanzines and other sources of celebrity gossip.  Which is not to say that a taste for gossip isn’t a  widespread human failing, shared by me, but should not be confused with the experience of reading literature.

What’s more, even where the published work bears no apparent surface resemblance to what is known of a writer’s life, you can rest assured that every writer who ever lived has in one way or another cannibalized his (or her) own experience of living for material.  Nothing is safe from the writer, not even the writer!  Sometimes, it’s emotional experience — translated, for example, into science-fiction, or fantasy, or “post-modernism” of some kind, or innovative structure.  Sometimes, apparently more realistically, it’s a character or characters modeled either on the writer, or someone the writer knows or has heard of.  But — and this is the important part — something always happens to that lived experience in the process of putting it on the printed or digital fictional page, and what that something is makes all the difference.

(Parenthetically, I would go further yet and assert that even when writers compose allegedly factual memoir or autobiography, or when non-writers explain to themselves in private the important events in their lives, the accounts can never be fully factual accounts of “real life.”  They are how we see things, how we justify to ourselves what happened. They are the stories we tell ourselves about ourselves so that we can keep on living. But did they really happen that way?  Who’s to say?)

Now back to writers. When in “Portnoy’s Complaint,” teen-age Alexander Portnoy comes home from school and twice that day has the liver he finds in the refrigerator:  once,  raw, behind a closed door in the bathroom and again, cooked, on his plate for dinner — does it matter to the gestalt of the book whether Philip Roth ever himself jerked off with raw liver when he was a teen-age boy in Newark, New Jersey?

Roth, of course, is our century’s champion creator of what appear to be fictional alter egos.  “Portnoy” was his fourth book, relatively early in his career.  “Deception,” his eighteenth book, is a series of pre- and post-coital conversations over several years between two adulterous lovers (with a few other conversations interspersed). The man is “Philip,” a writer of novels who spends half the year in London (as did Roth for many years while living with Claire Bloom). The woman in “Deception” is English, and  nameless. The conversations, and the coitus, take place in “Philip’s” London writing studio, on a mat where at other times he does back exercises.

At some point between the earlier conversations and the last one in the book, “Philip” has written and published a novel in which the lover, and then wife, of a man named Zuckerman is an Englishwoman. Non-Roth readers should know that Nathan Zuckerman, who has many of Roth’s characteristics, had already appeared in several Roth novels prior to “The CounterLife,” a novel with many of the characteristics of the novel that “Philip” has just published in “Deception.” “The CounterLife” was Roth’s second book before “Deception.”  If it isn’t already too confusing, I might point out that Peter Tarnopol, another Roth fictional alter ego, wrote two stories about Zuckerman in Roth’s “My Life As A Man” before Zuckerman got to be the central figure in novels apparently written by Roth. (With Tarnopol’s help?)

The Englishwoman in “Deception” is upset that “Philip,” she thinks, has written about her in his recently published novel. I will leave you with their conversation, which is obviously much better than anything I could add at this time to the topic under discussion.  (It’s on the second to last page of “Deception.”)  I love the last line.

“….I object greatly to this taking people’s lives and putting them into fiction.  And then being a famous author who resents critics for saying he doesn’t make things up.”

“Because you had a baby doesn’t mean I didn’t make up a baby; because you’re you doesn’t mean I didn’t make you up.”

“I also exist.”

“Also. You also exist and also I made you up.  ‘Also’ is a good word to remember. You also don’t exist as only you.”

“I certainly don’t anymore.”

“You never did. As I made you up, you never existed.”

“Then who was that in your studio with my legs over your shoulders?”

Res ipsa loquitur.  (The thing speaks for itself.)  Which has nothing — and of course everything — to do with the matter.

ANOTHER STORY, VERY SHORT

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The high functioning daughter is on the phone.  What a nice surprise.  “We’ve just rented a beach house for next August,” says the daughter.  “You’ll have to come out for a weekend. The kids will be back from day camp then.  And Bob and I will both have off.”

It’s only October. Such closely scheduled lives. But the mother knows she can’t say that. “Oh, lovely,” she replies. “Something to look forward to.”

Christmas and New Year’s come and go. Easter rolls around. The mother begins really thinking about summer, even though it’s still a few months off. She hardly ever sees these three grandchildren now they’re all in school and then rushing to after-school sports, music lessons and playdates. Not to mention the daughter, rapidly advancing in her architectural firm.  At least those are the excuses, when she brings it up.

“Which weekend should I plan on coming out?” she asks the daughter carefully at a dinner given by her son-in-law’s mother.

The daughter’s face assumes a familiar unpleasant expression, as if the mother’s question were entirely out of line. “No weekend, actually. There are none left. We owe such a lot of people. We’ve invited too many as it is.”

Did her daughter actually forget the October invitation? Or had it become inconvenient?  “I thought it was a big house,” says the mother, even now not having learned from experience. “I could also come during the week.” She hates herself for adding that.  For having to beg.

The daughter shakes her head decisively. “Not such a big house. No, it would just be too awkward. And we need the weekdays to recover from the guests.”  She offers a tight smile, suggesting that what she’d just said should be thought amusing.

The mother perseveres. “So does that mean I won’t be seeing you at all this summer?”  It sounds better for “you” to be taken as plural but right now she really means “you” singular — the “you” who used to be her difficult, brilliant much-loved baby girl.

“Looks like it,” says the daughter.  “There’s a lot going on. Maybe we can find a time in the fall. I’ll have to check with Bob.”

Why should she be surprised? For a long time, she’s been on tenterhooks with this daughter anyway. Should she have nailed down an August weekend for herself last October? Sent a confirming email ten months ahead? Who does such things with family? It’s been explained to her by others (counselor, family doctor, close woman friend) that the daughter may not be able to help it;  with this kind of disorder, she probably doesn’t even understand how it makes the mother feel. It’s not intentional. She shouldn’t take it personally.

The mother always nods. Easy for them to say.

It’s not their daughter, she thinks.  Not their heart that hurts.

GHOST STORY

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IMG_1566 Theoretically, I don’t believe in ghosts. I’ve never seen or heard one. On the other hand, I’ve known a few not-crazy people who when traveling spent the night at nearby accommodations in New England or Great Britain, reported hearing strange and unexplained noises in the night, and then learned that an alleged resident ghost haunted the premises.

A similar story came from a woman I first “met” online in the mid-1990’s through an early predecessor of social media called Seniornet. We were both part of a five-person group that posted short vignettes of our childhoods on a Seniornet board with a misleading title that kept other people away. We were also, by coincidence, the only two group members living in Massachusetts.  (One of the others was in Texas and the remaining two in disparate locations in California.)

Our geographic proximity meant that eventually we arranged to meet in the flesh — first where she was, in the western part of the Commonwealth, and then in Boston and Cambridge, where I was. It was probably a mistake. She apparently took these two weekends to mean more than I did, and pressed for increasing closeness. Unable to reciprocate her feelings, they ended only by embarrassing me. I pulled away. One of the great deceptions of virtual “friendships” is that it’s hard to know how you will really feel about your internet-only “friends” once you meet them.

However, before we stopped emailing and the “friendship” came apart,  she sent me a birthday present: a small chapbook she had written about a ghost reputed to haunt an inn where she now and then worked part-time for extra money in her retirement. An acquaintance of hers had illustrated it, and the inn had arranged for a small local private printing.

This was almost twenty years ago.  During one of my recent ineffectual attempts to rid our basement of stuff we will never need or use again, I came across the book. I had completely forgotten it. I’m certain it’s out of print. And I know, because I looked it up, that the inn closed several years ago. But whatever the misunderstandings between its author and me so long ago, I don’t think I should throw it out.   Perhaps when you’ve read it, you’ll agree.

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A Note to the Reader

One day recently, I had occasion to go up to the attic of the Inn to look for some papers. In the course of the search, I stumbled over an old trunk in the corner. It was like the one my grandmother had, full of what I thought were strange treasures, when I was a child. And so I raised the lid of this one.

It had a musty dry smell, as if it had not been opened for a very long time. The contents were an assortment of receipts and registers, dating from the early part of this century. They seemed to have to do with the day-to-day business of the Inn. But I came upon one oddity, several sheets of heavy paper, folded twice and covered with spidery elegant handwriting. It was a letter, unsigned, evidently never sent, which I now pass on to you, word for word as written.

Sue Porter, who, like me, works at the Inn and knows it well, has drawn the illustrations.

Betty Hunt

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____________

October 21, 1914

Dear Sister,

You will know by this that I have arrived safely.

The journey from Boston was not without its rigors. On the long hill beyond Greenfield the Maxwell overheated more than once, steam boiling from its radiator. By good fortune, water had been provided at intervals along the roadside, and I was ale to proceed.

On the downhill slopes the most astounding speed was possible: twenty miles an hour — more, if I had not been concerned to keep within the appointed limit. In the towns one may travel at twelve miles an hour; in especially hazardous stretches, eight.

But no — do not be alarmed. I am taking proper care. The Maxwell is a fine well-appointed motor car, and I marvel at the autumn colors; one finds grand prospects of wooded hills around every turn.

I believe the completion of the “Mohawk Trail” to have been a splendid project, and I shall attend the ceremonies tomorrow that celebrate its completion. You will recall Father’s rumbling about the expense: $345.000! For sixteen miles of highway between Charlemont and North Adams! So that gaggles of tourists can gawp at the view and fall off the hairpin turn, I’ll warrant!”

…. For now, I have sought shelter at the Inn in Charlemont. It seems a comfortable place, offering plain hearty fare and a warm fire against the evening chill.

However, I have had the most extraordinary experience here. I confess, dear Margaret, that I found it most perplexing; unsettling, even, since it so defies the rational tenets of our philosophy. I feel that I must write this morning to tell you about it; surely your sensible opinion will steady me.

When I had rested from the long journey, I thought to refresh my spirits in communion with rugged nature: so far from the complexities of Boston; so unrefined, I thought, and simple.

I carried along a copy of Mr. Thoreau’s essays, thinking these appropriate to my primitive situation. But I never read a word.

Yesterday, walking in the bright woods behind the inn, and climbing the hill, I came upon a strange old woman. She was all in black, a black shawl almost covered her ancient face. But she spoke to me kindly enough. Was I staying at the inn?  I answered yes; I was hardly prepared for her next question.

Had I heard or seen the ghost?

Laughing, I said that indeed I had not.

It may be you do not welcome her. She will not appear if you do not, or sing for you either.

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The old crone looked as if there was more to the story. As I was feeling humorous and indulgent, I asked her to go on, to tell me how there came to her a ghost at the inn, and who she was, and what she sang.

Sings the song about black hair. How and then a lullaby. She will tap her foot to a fiddler’s tune.

The old woman cocked her head and peered at me thoughtfully, as if appraising me. “Please go on,” I said.

Whereupon she studied me for a moment longer, then shrugged and sat down upon a rock. She said it had begun about this time of year, a great many years ago, and this was just as her great-grandmother had told it to her.

In those olden days, when stagecoaches stopped at the inn, there was a place for the horses too, a great barn where they stayed and a hostler who took care of them. He had six sons, strapping lads who had fought against the English tyrant a few years back, and though he was proud of them he longed for a daughter.

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At last a girl was born. But the mother was worn out with struggle, hard winters and deep snows and bearing of children, and a few days later, she died. However the child survived; her father watched and cherished her, praying nightly that she might not join her two small sisters who had earlier gone to the churchyard. The child was small and red and wizened as an apple.

He named the tiny girl Elizabeth, for her mother; she clung most stubbornly to life, and grew to be the apple of his eye.

She was a frail girl with solemn eyes, not pretty though she had flaxen hair that shone like pale gold. Much as her father and her brothers might have wished to spoil her, they could not, for there was much woman’s work to be done. At 10 years old she was keeping the house, rising at first light, cooking and washing and learning to spin.

Now and again she was allowed to visit the inn, keeping to the kitchen near the innkeeper’s wife and watching her at her baking. Sometimes there would be a fiddler in the tavern room. Elizabeth would turn her head to listen, round-eyed.

The years passed and she was 16, a plain good girl, her father thought with satisfaction. Not one for the young men (though in truth there were few of them about), and aloof to the swaggering coach drivers who passed through.

But one October day, while Elizabeth helped with the baking, there came from the tavern room the sound of a different fiddler: not the valiant workaday scraping of old Jacob, but a rich plaintive song so passionate that its sadness had a kind of joy. Elizabeth had never in her life heard any music like this. She wiped the dough from her hands and went to the door, using her wrist to push it aside a little, so as to see this wondrous player.

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At first she saw only his back, his ragged clothes, his black hair and the arm curved around the fiddle, and beyond him the fire leaping. Then he turned, still playing, and saw her!  Gave a flash of a smile and a bow!

Elizabeth started and shrank back from the door. But from that time, in the kitchen that had been only warm and simple, as she kneaded the dough, and that night as she slept in her narrow bed, she felt that somehow he was looking at her still.

So that the next day, when she heard the playing of the fiddle again, coming this time from farther away, from somewhere in the glowing woods, she left her work and went toward the sound of it. She climbed the hill, and there he sat, on a rock by the tumbling stream.

He said that he was a tinker by trade, and had not passed this way before. He had a curious way of speaking, his voice smoothing the words so that they flowed along like water. He said that he had been born in Ireland, on the estate of the Earl of Charlemont, the same great lord for whom the town was named.

She gazed at his black curls and his brown smooth face.

I am called Blackjack Davy, he said; my father was a man of Romany. His white teeth flashed with his pleasure in being who he was, and Elizabeth smiled as well. He reached out to touch her fine-spun hair. In the course of time, he made a bed of the gold and scarlet leaves.

On the following day the fiddler said he must go over the mountains before the winter came, but in the spring he would return. She listened to the sound of his wagon, hung with pans and pots, until its soft clanking faded over the western hills.

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When the first snows fell, Elizabeth knew that she was waiting not only for Blackjack Davy, but for his son as he grew, curled up and nestling inside her. She sang at her work in the day and in the evening stared into the fire, her round eyes seeing inward, dreaming.

At first her father was puzzled at the change in his plain dutiful daughter; then when her womb grew round, he was mightily wrathful, glancing at his long musket hanging over the fireplace. At last, when she told him sweetly about the beautiful dark fiddler and his promise to come again, his eyes grew sad.

The baby was born early, in May, but sturdy enough,with curls of black hair on his round head. Elizabeth tended him and sang to him and they waited together. She carried him on her back Indian style. Sometimes they climbed the hill behind the inn, and she sat down for a while on a rock by the tumbling stream. She sang:

Black is the color of my true love’s hair. His lips are like some rosy fair. The prettiest face and the neatest hands: I love the ground whereon he stands.

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Sometimes they went to visit the stable, among the patient standing horses. She sang to the baby, When you wake, you shall have, All the pretty horses. Blacks and bays, she sang, dapples and grays, coach and six-a little horses.

But most of the time, as she went about her work, Elizabeth seemed to be listening, as if at any moment she might hear the clank and tinkle of the tinker’s wagon.

But it did not come, you see, though the spring passed, and the summer, and October came round again. But Elizabeth never stopped listening, until the first frost came.

That frost was sharp and sudden, and brought a fever. Elizabeth took to her bed, and the fever was quick in its work. After a space of chills and burning, she lay cold and still.

When the tinker came again, on a dark November day, he found her in the churchyard. He wept, and went to fetch his fiddle, and played a wild sad song.

Then he stole the black-haired baby, and whipped his horse away in the jangling wagon.

And that is how there comes to be a ghost at the Inn, a young girl who appears in a silvery light.

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Sometimes you can just glimpse her face at the tavern door, darting away. Sometimes people hear her thin voice singing. Or you may see her standing quietly in a corner of the barn, or in the moonlight sitting on a rock by the tumbling stream.

The old woman had finished. She rose and gathered her black shawl about her.

At the top of the hill she turned and cackled, She’s still waiting for him, the silly young fool! And with a hideous wink the old crone went on her way.

Well! She had certainly had me enthralled with her yarn. Evidently she was playing a joke of some kind. I returned to the Inn for a good dinner and thought no more about it.

That is, I thought no more until I wakened about midnight. I was sure I had heard the distant cry of a child. Or was it laughter?

All was still. I prepared to sleep again, but suddenly it seemed that the warm smell of baking had risen from the kitchen and filled my room. Then I thought I heard, from below, a frail voice singing:

Black, black

Black is the color of my true love’s hair

His lips are like some rosy fair

If he on earth no more I see

My life will quickly fade away….

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© Betty Hunt 1994

CAN A REALLY GREAT WRITER MAKE IT ON WORDPRESS?

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[Last fall I registered for an adult education course that failed to attract a sufficient number of registrants and was therefore withdrawn.  It was about “The Long Short Story.”  I had already bought the books containing the six stories to be discussed, and don’t easily give in while there’s still hope. So I put up a post in which I offered to host a reading program with the professor’s curriculum if I had three takers — a foolhardy idea, as hardly anyone in Princeton knows I blog.  But there was one brave soul, in a town just to the north, who raised her virtual hand.  We’ll call her G.  

And so G. and I, in an extremely leisurely way, began.  We decided to meet every other Thursday at 2 p.m. (except for December, because G. has a large extended family for whom holiday preparations are time-consuming).  We eliminated Faulkner and Conrad from the professor’s list and added a few authors of our own. We alternate houses and make tea. (G. is English.)  Occasionally, instead of reading a new story, we watch a DVD movie version of a story we’ve just read, and then talk about what changes were necessary to show the story visually without too many voice-overs and what was lost in translation from print to screen.

But because it’s only two very good long stories a month (one, if it’s a movie month), there’s time to read carefully and read again.  G. is more thorough than I am in the line-by-line stuff. (She comes from a career in science.) I focus on structure, what is suggested by what is said, and what is not said because it’s not necessary to say it. We tell each other we’re learning how to write better memoir, and perhaps we are.  We certainly have a pretty good time, even though we hardly knew each other before this literary adventure.  Because we’re women, sometimes the conversation wanders off point. But we were professional women, so it doesn’t wander too far.  No reminiscences of childbirth yet, or anything like that, although given time we might get there.

So far, we’ve read Chekhov’s “Lady With A Dog,” Dostoevsky’s “Notes from the Underground,” Mann’s “Tonio Kruger,” Carlos Fuentes’ “The Prisoner of Las Lomas” and Henry James’s “The Aspern Papers” (which deserves a post from me all to itself).  Next up are stories by Mavis Gallant and Alice Munro, and after that we’ll see.  But last Thursday, in addition to a celebrated long short story we added a very short one by the same author. In the end, we spent as much time talking about the very short one as the famous long one and decided it was a perfect  little story. 

“How do you think it would do if I posted it?” I asked.  “There are blog posts just as long.  Blog posts which are short stories by aspiring authors. And it would certainly be a change from what I’ve been blogging about recently.”  (At this G. rolled her eyes roguishly.)  “What if I left off the famous author’s name till the end and sent it out on its own?”

The very short story is about a young protagonist living with his uncle and aunt in a deeply Catholic provincial city around 1900 who meets with defeat and despair so palpable you may feel it too.That’s probably all I should say up front, although feel free to ask questions or comment afterwards.  I cannot advise what clicking “like” might mean in this context.  It could be that you “liked” the story, or that you “liked” the idea of the posting experiment even if you hated the story. If there are no “likes” at all, G. is going to get it next time for not having stopped me. So maybe a “like” could also mean I shouldn’t take it out on her.]

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ARABY

North Richmond Street, being blind, was a quiet street except at the hour when the Christian Brothers’ School set the boys free. An uninhabited house of two stories stood at the blind end, detached from its neighbors in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces.

The former tenant of our house, a priest, had died in the back drawing-room. Air, musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless papers. Among these I found a few paper-covered books, the pages of which were curled and damp: The Abbot, by Walter Scott, The Devout Communicant and The Memoirs of Vidocq. I liked the last best because its leaves were yellow. The wild garden behind the house contained a central apple-tree and a few straggling bushes under one of which I found the late tenant’s rusty bicycle-pump. He had been a very charitable priest; in his will he had left all his money to institutions and the furniture of his house to his sister.

When the short days of winter came dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the color of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses where we ran the gauntlet of the rough tribes from the cottages, to the back doors of the dark dripping gardens where odors arose from the ash pits, to the dark odorous stables where a coachman smoothed and combed the horse or shook music from the buckled harness. When we returned to the street, light from the kitchen windows had filled the areas. If my uncle was seen turning the corner we hid in the shadow until we had seen him safely housed. Or if Mangan’s sister came out on the doorstep to call her brother in to his tea we watched her from our shadow peer up and down the street. We waited to see whether she would remain or go in and, if she remained, we left our shadow and walked up to Mangan’s steps resignedly. She was waiting for us, her figure defined by the light from the half-opened door. Her brother always teased her before he obeyed and I stood by the railings looking at her. Her dress swung as she moved her body and the soft rope of her hair tossed from side to side.

Every morning I lay on the floor in the front parlor watching her door. The blind was pulled down to within an inch of the sash so that I could not be seen. When she came out on the doorstep my heart leaped. I ran to the hall, seized my books and followed her. I kept her brown figure always in my eye and, when we came near the point at which our ways diverged, I quickened my pace and passed her. This happened morning after morning. I had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood.

Her image accompanied me even in places the most hostile to romance. On Saturday evenings when my aunt went marketing I had to go to carry some of the parcels. We walked through the flaring streets, jostled by drunken men and bargaining women, amid the curses of laborers, the shrill litanies of shop-boys who stood on guard by the barrels of pigs’ cheeks, the nasal chanting of street-singers, who sang a come-all-you about O’Donovan Rossa, or a ballad about the troubles in our native land. These noises converged in a single sensation of life for me. I imagined that I bore my chalice safely through a throng of foes. Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (I could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom. I thought little of the future. I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires.

One evening I went into the back drawing-room in which the priest had died. It was a dark rainy evening and there was no sound in the house. Through one of the broken panes I heard the rain impinge upon the earth, the fine incessant needles of water playing in the sodden beds. Some distant lamp or lighted window gleamed below me. I was thankful that I could see so little. All my senses seemed to desire to veil themselves and, feeling that I was about to slip from them, I pressed the palms of my hands together until they trembled, murmuring “O love! O love! many times.

At last she spoke to me. When she addressed the first words to me I was so confused that I did not know what to answer. She asked me was I going to Araby. I forgot whether I answered yes or no. It would be a splendid bazaar, she said; she would love to go.

“And why can’t you?” I asked.

While she spoke she turned a silverl bracelet round and round her wrist. She could not go, she said, because there would be a retreat that week in her convent. Her brother and two other boys were fighting for their caps and I was alone at the railings. She held one of the spikes, bowing her head towards me. The light from the lamp opposite our door caught the white curve of her neck, lit up her hair that rested there and, falling, lit up the hand upon the railing. It fell over one side of her dress and caught the white border of a petticoat, just visible as she stood at ease.

“It’s well for you,” she said.

“If I go,” I said, “I will bring you something.”

What innumerable follies laid waste my waking and sleeping thoughts after that evening!  I wished to annihilate the tedious intervening days. I chafed against the work of school. At night in my bedroom and by day in the classroom her image came between me and the page I strove to read. The syllables of the word Araby were called to me through the silence in which my soul luxuriated and cast an Eastern enchantment over me. I asked for leave to go to the bazaar on Saturday night. My aunt was surprised and hoped it was not some Freemason affair. I answered few questions in class. I watched my master’s face pass from amiability to sternness; he hoped I was not beginning to idle. I could not call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child’s play, ugly monotonous child’s play.

On Saturday morning I reminded my uncle that I wished to go to the bazaar in the evening He was fussing at the hall stand, looking for the hat-brush, and answered me curtly:

“Yes, boy, I know.”

As he was in the hall I could not go into the front parlor and lie at the window. I left the house in bad humour and walked slowly towards the school. The air was pitilessly raw and already my heart misgave me.

When I came home to dinner my uncle had not yet been home. Still it was early. I sat staring at the clock for some time and, when its ticking began to irritate me, I left the room. I mounted the staircase and gained the upper part of the house. The high cold empty gloomy rooms liberated me and I went from room to room singing. From the front window I saw my companions playing below in the street. Their cries reached me weakened and indistinct and, leaning my forehead against the cool glass, I looked over at the dark house where she lived. I may have stood there for an hour, seeing nothing but the brown-clad figure cast by my imagination, touched discreetly by the lamplight at the curved neck, at the hand upon the railings and at the border below the dress.

When I came downstairs again I found Mrs. Mercer sitting at the fire. She was an old garrulous woman, a pawnbroker’s widow, who collected used stamps for some pious purpose. I had to endure the gossip of the tea-table. The meal was prolonged beyond an hour and still my uncle did not come. Mrs. Mercer stood up to go: she was sorry she couldn’t wait any longer, but it was after eight o’clock and she did not like to be out late as the night air was bad for her. When she had gone I began to walk up and down the room, clenching my fists. My aunt said:

“I’m afraid you may put off your bazaar for this night of Our Lord.”

At nine o’clock I heard my uncle’s latchkey in the hall door. I heard him talking to himself and heard the hall stand rocking when it had received the weight of his overcoat. I could interpret these signs. When he was midway through his dinner I asked him to give me the money to go to the bazaar. He had forgotten.

“The people are in bed and after their first sleep now,” he said.

I did not smile. My aunt said to him energetically:

“Can’t you give him the money and let him go? You’ve kept him late enough as it is.”

My uncle said he was very sorry he had forgotten. He said he believed in the old saying: “All work and no play makes Jack a dull boy.” He asked me where I was going and, when I had told him a second time he asked me did I know The Arab’s Farewell to his Steed. When I left the kitchen he was about to recite the opening lines of the piece to my aunt.

I held a florin tightly in my hand as I strode down Buckingham Street towards the station. The sight of the streets thronged with buyers and glaring with gas recalled to me the purpose of my journey. I took my seat in a third-class carriage of a deserted train. After an intolerable delay the train moved out of the station slowly. It crept onward among ruinous houses and over the twinkling river. At Westland Row Station a crowd of people pressed to the carriage doors; but the porters moved them back, saying that it was a special train for the bazaar. I remained alone in the bare carriage. In a few minutes the train drew up beside an improvised wooden platform. I passed out on to the road and saw by the lighted dial of a clock that it was ten minutes to ten. In front of me was a large building which displayed the magical name.

I could not find any sixpenny entrance and, fearing that the bazaar would be closed, I passed in quickly through a turnstile, handing a shilling to a weary-looking man. I found myself in a big hall girdled at half its height by a gallery. Nearly all the stalls were closed and the greater part of the hall was in darkness. I recognized a silence like that which pervades a church after a service. I walked into the centre of the bazaar timidly. A few people were gathered about the stalls which were still open. Before a curtain, over which the words Cafe Chantant were written in colored lamps, two men were counting money on a salver. I listened to the fall of the coins.

Remembering with difficulty why I had come I went over to one of stalls and examined porcelain vases and flowered tea-sets. At the door of the stall a young lady was talking and laughing with two young gentlemen. I remarked their English accents and listened vaguely to their conversation.

“O, I never said such a thing!”

“O, but you did!”

“O but I didn’t!”

“Didn’t she say that?”

“Yes. I heard her.”

“O, there’s a … fib!”

Observing me the young lady came over and asked me did I wish to buy anything. The tone of her voice was not encouraging; she seemed to have spoken to me out of a sense of duty. I looked humbly at the great jars that stood like eastern guards at either side of the dark entrance to the stall and murmured:

“No, thank you.”

The young lady changed the position of one of the vases and went back to the two young men. They began to talk of the same subject. Once or twice the young lady glanced at me over her shoulder.

I lingered before her stall, though I knew my stay was useless, to make my interest in her wares seem the more real. Then I turned away slowly and walked down the middle of the bazaar. I allowed the two pennies to fall against the sixpence in my pocket. I heard a voice call from one end of the gallery that the light was out. The upper part of the hall was now completely dark.

Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger.

by James Joyce.

[“Araby” is the third story in Dubliners. The long short story G. and I also read last Thursday, which ends the book, was “The Dead.”]