CAN A REALLY GREAT WRITER MAKE IT ON WORDPRESS?

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[Last fall I registered for an adult education course that failed to attract a sufficient number of registrants and was therefore withdrawn.  It was about “The Long Short Story.”  I had already bought the books containing the six stories to be discussed, and don’t easily give in while there’s still hope. So I put up a post in which I offered to host a reading program with the professor’s curriculum if I had three takers — a foolhardy idea, as hardly anyone in Princeton knows I blog.  But there was one brave soul, in a town just to the north, who raised her virtual hand.  We’ll call her G.  

And so G. and I, in an extremely leisurely way, began.  We decided to meet every other Thursday at 2 p.m. (except for December, because G. has a large extended family for whom holiday preparations are time-consuming).  We eliminated Faulkner and Conrad from the professor’s list and added a few authors of our own. We alternate houses and make tea. (G. is English.)  Occasionally, instead of reading a new story, we watch a DVD movie version of a story we’ve just read, and then talk about what changes were necessary to show the story visually without too many voice-overs and what was lost in translation from print to screen.

But because it’s only two very good long stories a month (one, if it’s a movie month), there’s time to read carefully and read again.  G. is more thorough than I am in the line-by-line stuff. (She comes from a career in science.) I focus on structure, what is suggested by what is said, and what is not said because it’s not necessary to say it. We tell each other we’re learning how to write better memoir, and perhaps we are.  We certainly have a pretty good time, even though we hardly knew each other before this literary adventure.  Because we’re women, sometimes the conversation wanders off point. But we were professional women, so it doesn’t wander too far.  No reminiscences of childbirth yet, or anything like that, although given time we might get there.

So far, we’ve read Chekhov’s “Lady With A Dog,” Dostoevsky’s “Notes from the Underground,” Mann’s “Tonio Kruger,” Carlos Fuentes’ “The Prisoner of Las Lomas” and Henry James’s “The Aspern Papers” (which deserves a post from me all to itself).  Next up are stories by Mavis Gallant and Alice Munro, and after that we’ll see.  But last Thursday, in addition to a celebrated long short story we added a very short one by the same author. In the end, we spent as much time talking about the very short one as the famous long one and decided it was a perfect  little story. 

“How do you think it would do if I posted it?” I asked.  “There are blog posts just as long.  Blog posts which are short stories by aspiring authors. And it would certainly be a change from what I’ve been blogging about recently.”  (At this G. rolled her eyes roguishly.)  “What if I left off the famous author’s name till the end and sent it out on its own?”

The very short story is about a young protagonist living with his uncle and aunt in a deeply Catholic provincial city around 1900 who meets with defeat and despair so palpable you may feel it too.That’s probably all I should say up front, although feel free to ask questions or comment afterwards.  I cannot advise what clicking “like” might mean in this context.  It could be that you “liked” the story, or that you “liked” the idea of the posting experiment even if you hated the story. If there are no “likes” at all, G. is going to get it next time for not having stopped me. So maybe a “like” could also mean I shouldn’t take it out on her.]

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ARABY

North Richmond Street, being blind, was a quiet street except at the hour when the Christian Brothers’ School set the boys free. An uninhabited house of two stories stood at the blind end, detached from its neighbors in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces.

The former tenant of our house, a priest, had died in the back drawing-room. Air, musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless papers. Among these I found a few paper-covered books, the pages of which were curled and damp: The Abbot, by Walter Scott, The Devout Communicant and The Memoirs of Vidocq. I liked the last best because its leaves were yellow. The wild garden behind the house contained a central apple-tree and a few straggling bushes under one of which I found the late tenant’s rusty bicycle-pump. He had been a very charitable priest; in his will he had left all his money to institutions and the furniture of his house to his sister.

When the short days of winter came dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the color of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses where we ran the gauntlet of the rough tribes from the cottages, to the back doors of the dark dripping gardens where odors arose from the ash pits, to the dark odorous stables where a coachman smoothed and combed the horse or shook music from the buckled harness. When we returned to the street, light from the kitchen windows had filled the areas. If my uncle was seen turning the corner we hid in the shadow until we had seen him safely housed. Or if Mangan’s sister came out on the doorstep to call her brother in to his tea we watched her from our shadow peer up and down the street. We waited to see whether she would remain or go in and, if she remained, we left our shadow and walked up to Mangan’s steps resignedly. She was waiting for us, her figure defined by the light from the half-opened door. Her brother always teased her before he obeyed and I stood by the railings looking at her. Her dress swung as she moved her body and the soft rope of her hair tossed from side to side.

Every morning I lay on the floor in the front parlor watching her door. The blind was pulled down to within an inch of the sash so that I could not be seen. When she came out on the doorstep my heart leaped. I ran to the hall, seized my books and followed her. I kept her brown figure always in my eye and, when we came near the point at which our ways diverged, I quickened my pace and passed her. This happened morning after morning. I had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood.

Her image accompanied me even in places the most hostile to romance. On Saturday evenings when my aunt went marketing I had to go to carry some of the parcels. We walked through the flaring streets, jostled by drunken men and bargaining women, amid the curses of laborers, the shrill litanies of shop-boys who stood on guard by the barrels of pigs’ cheeks, the nasal chanting of street-singers, who sang a come-all-you about O’Donovan Rossa, or a ballad about the troubles in our native land. These noises converged in a single sensation of life for me. I imagined that I bore my chalice safely through a throng of foes. Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (I could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom. I thought little of the future. I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires.

One evening I went into the back drawing-room in which the priest had died. It was a dark rainy evening and there was no sound in the house. Through one of the broken panes I heard the rain impinge upon the earth, the fine incessant needles of water playing in the sodden beds. Some distant lamp or lighted window gleamed below me. I was thankful that I could see so little. All my senses seemed to desire to veil themselves and, feeling that I was about to slip from them, I pressed the palms of my hands together until they trembled, murmuring “O love! O love! many times.

At last she spoke to me. When she addressed the first words to me I was so confused that I did not know what to answer. She asked me was I going to Araby. I forgot whether I answered yes or no. It would be a splendid bazaar, she said; she would love to go.

“And why can’t you?” I asked.

While she spoke she turned a silverl bracelet round and round her wrist. She could not go, she said, because there would be a retreat that week in her convent. Her brother and two other boys were fighting for their caps and I was alone at the railings. She held one of the spikes, bowing her head towards me. The light from the lamp opposite our door caught the white curve of her neck, lit up her hair that rested there and, falling, lit up the hand upon the railing. It fell over one side of her dress and caught the white border of a petticoat, just visible as she stood at ease.

“It’s well for you,” she said.

“If I go,” I said, “I will bring you something.”

What innumerable follies laid waste my waking and sleeping thoughts after that evening!  I wished to annihilate the tedious intervening days. I chafed against the work of school. At night in my bedroom and by day in the classroom her image came between me and the page I strove to read. The syllables of the word Araby were called to me through the silence in which my soul luxuriated and cast an Eastern enchantment over me. I asked for leave to go to the bazaar on Saturday night. My aunt was surprised and hoped it was not some Freemason affair. I answered few questions in class. I watched my master’s face pass from amiability to sternness; he hoped I was not beginning to idle. I could not call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child’s play, ugly monotonous child’s play.

On Saturday morning I reminded my uncle that I wished to go to the bazaar in the evening He was fussing at the hall stand, looking for the hat-brush, and answered me curtly:

“Yes, boy, I know.”

As he was in the hall I could not go into the front parlor and lie at the window. I left the house in bad humour and walked slowly towards the school. The air was pitilessly raw and already my heart misgave me.

When I came home to dinner my uncle had not yet been home. Still it was early. I sat staring at the clock for some time and, when its ticking began to irritate me, I left the room. I mounted the staircase and gained the upper part of the house. The high cold empty gloomy rooms liberated me and I went from room to room singing. From the front window I saw my companions playing below in the street. Their cries reached me weakened and indistinct and, leaning my forehead against the cool glass, I looked over at the dark house where she lived. I may have stood there for an hour, seeing nothing but the brown-clad figure cast by my imagination, touched discreetly by the lamplight at the curved neck, at the hand upon the railings and at the border below the dress.

When I came downstairs again I found Mrs. Mercer sitting at the fire. She was an old garrulous woman, a pawnbroker’s widow, who collected used stamps for some pious purpose. I had to endure the gossip of the tea-table. The meal was prolonged beyond an hour and still my uncle did not come. Mrs. Mercer stood up to go: she was sorry she couldn’t wait any longer, but it was after eight o’clock and she did not like to be out late as the night air was bad for her. When she had gone I began to walk up and down the room, clenching my fists. My aunt said:

“I’m afraid you may put off your bazaar for this night of Our Lord.”

At nine o’clock I heard my uncle’s latchkey in the hall door. I heard him talking to himself and heard the hall stand rocking when it had received the weight of his overcoat. I could interpret these signs. When he was midway through his dinner I asked him to give me the money to go to the bazaar. He had forgotten.

“The people are in bed and after their first sleep now,” he said.

I did not smile. My aunt said to him energetically:

“Can’t you give him the money and let him go? You’ve kept him late enough as it is.”

My uncle said he was very sorry he had forgotten. He said he believed in the old saying: “All work and no play makes Jack a dull boy.” He asked me where I was going and, when I had told him a second time he asked me did I know The Arab’s Farewell to his Steed. When I left the kitchen he was about to recite the opening lines of the piece to my aunt.

I held a florin tightly in my hand as I strode down Buckingham Street towards the station. The sight of the streets thronged with buyers and glaring with gas recalled to me the purpose of my journey. I took my seat in a third-class carriage of a deserted train. After an intolerable delay the train moved out of the station slowly. It crept onward among ruinous houses and over the twinkling river. At Westland Row Station a crowd of people pressed to the carriage doors; but the porters moved them back, saying that it was a special train for the bazaar. I remained alone in the bare carriage. In a few minutes the train drew up beside an improvised wooden platform. I passed out on to the road and saw by the lighted dial of a clock that it was ten minutes to ten. In front of me was a large building which displayed the magical name.

I could not find any sixpenny entrance and, fearing that the bazaar would be closed, I passed in quickly through a turnstile, handing a shilling to a weary-looking man. I found myself in a big hall girdled at half its height by a gallery. Nearly all the stalls were closed and the greater part of the hall was in darkness. I recognized a silence like that which pervades a church after a service. I walked into the centre of the bazaar timidly. A few people were gathered about the stalls which were still open. Before a curtain, over which the words Cafe Chantant were written in colored lamps, two men were counting money on a salver. I listened to the fall of the coins.

Remembering with difficulty why I had come I went over to one of stalls and examined porcelain vases and flowered tea-sets. At the door of the stall a young lady was talking and laughing with two young gentlemen. I remarked their English accents and listened vaguely to their conversation.

“O, I never said such a thing!”

“O, but you did!”

“O but I didn’t!”

“Didn’t she say that?”

“Yes. I heard her.”

“O, there’s a … fib!”

Observing me the young lady came over and asked me did I wish to buy anything. The tone of her voice was not encouraging; she seemed to have spoken to me out of a sense of duty. I looked humbly at the great jars that stood like eastern guards at either side of the dark entrance to the stall and murmured:

“No, thank you.”

The young lady changed the position of one of the vases and went back to the two young men. They began to talk of the same subject. Once or twice the young lady glanced at me over her shoulder.

I lingered before her stall, though I knew my stay was useless, to make my interest in her wares seem the more real. Then I turned away slowly and walked down the middle of the bazaar. I allowed the two pennies to fall against the sixpence in my pocket. I heard a voice call from one end of the gallery that the light was out. The upper part of the hall was now completely dark.

Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger.

by James Joyce.

[“Araby” is the third story in Dubliners. The long short story G. and I also read last Thursday, which ends the book, was “The Dead.”]

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26 thoughts on “CAN A REALLY GREAT WRITER MAKE IT ON WORDPRESS?

  1. A great story. How the young suffer through an accidental glimpse of something so short and fleeting. We have all been there, or should have been. That’s why it sings (or cries). He knew the words, the feelings he could give them.
    Love so often flounders on fatal shores.

    Liked by 1 person

    • You’re something of a poet in prose yourself, Gerard. 🙂 What G. and I particularly admired about the story, though, was how carefully it was crafted. For instance, Joyce never tells you in so many words why the boy’s uncle was very late that Saturday night. We know only that he usually came home on time for tea (the boys looked out for him) and that when he did finally arrive on that Saturday, the coat rack rocked and he was talking to himself — signs which the boy could interpret — and then at dinner went off on some irrelevant poem of which the name Araby reminded him. But there we have what ended the boy’s hopes, without the word “drink” ever having been mentioned. (Although even if the uncle had arrived on time and the boy had found a sixpenny entrance to the Araby bazaar (not at all like the Araby of his imagination), would the shilling he’d have had left from the florin he was given been sufficient to buy something worthy of Mangan’s sister?)

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  2. Linda Tharp

    I’ll click “Like” because I like the idea and the post. However, if I hadn’t been prepared for a lengthy read, I probably wouldn’t have continued. I tend to divide “computer time” and “reading time,” and would consider something this long as “reading time.” Problem is, I would have missed it.

    Liked by 1 person

    • That’s exactly what I suspected. For many — probably most — blog readers, the short and snappy is what they’re looking for, no matter how good the writing in a longer piece. Photos bring more views than just type; a couple of paragraphs are easier to read than long think or literary pieces. That’s probably unfortunate for me (even without a guest post from Joyce, at his shortest) in terms of blog “success,” because I do tend to run long, and I will never ever have thousands of followers! But that’s okay. I’m very happy with the ones I have, who seem to be used to me. Thanks for appreciating the story, though.

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  3. I like the idea, and I like the story. Full of adolescent angst.
    I wonder too if James Joyce would have gotten a lot of likes on his blog, if he had one. He’s too moody for a lot of tastes.
    lol Everybody’s a critic.

    Liked by 1 person

    • I don’t think he’d have blogged, so how many “likes” he could have garnered probably wouldn’t have been a problem. He thought big, and wrote big. “Araby” is the shortest of his “short” stories (in Dubliners). After that book, he went on to Portrait of the Artist as A Young Man, Ulysses and Finnegan’s Wake — all long and increasingly difficult reading. But hypothetically, if he had begun a blog, I agree with you he would have been for very special tastes, even if he could have managed to write “short” for his posts. On the other hand, there are a lot of weird blogs out there, with their own clientele. Everybody may be a critic, but there’s something for everyone, readers and writers both, even if you or I wouldn’t go there….

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    • Thanks for reading, Barbara. (You might enjoy reading the other comments, and my responses, too.) As for my “companion,” all it takes is one to get most things in life going. (One job offer to become employed, one proposal to get married, one sperm to make a baby.) So yes, G. and I are having fun for a while. How long we’ll keep it going I don’t know. Maybe that’s the fun of it. And it did lead to a blog post. You can find material almost everywhere!

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  4. I had to come back to this, when I had the time, and I’m glad I did. I found it very atmospheric and the adolescent pain comes over in waves. I haven’t knowingly read any Joyce before, so it was good to have a taste of his voice. I wouldn’t normally give a blog post this much time and tend to go off blogs with long posts, though I might click through to a page offering a story, just to try the author. Thanks.

    Liked by 1 person

    • As I commented to Linda Tharp earlier, I suspect most people would agree with you about long posts, although even bloggers who regularly blog long have their followers. I’m glad you came back to read it, though. I think most people who are writing, or trying to write, themselves, can learn by studying how the classic authors have done it. The way Joyce builds the waves of apprehension you mention, for instance, is both delicate and precise. Thanks for your comment.

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  5. Nina, so glad I book marked this post to read! Always know it’s a good and long read. I liked Joyce’s voice and descriptive words, especially the pain of adolescent infatuation. I agree, we can learn from the classics, and from working and learning about writing with other writers. It’s been positive for you so far. Christine

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  6. Nina… so far… I qualify for the blogger category of ‘short & snappy’… mentioned in your reply to Linda Tharp… thou, read through your ‘prelude’ post… your reunion with G… followed the pingback to read your intro to The Long Short Story by Joyce… then skipped to comments… read them all… and am replete with getting to know You! (LOL) LIKE your ideas… 🙂

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  7. Helena, your blog is indeed “short and snappy,” and I’m sure it would be a huge success, what with your beautiful photographs and the interestingly exotic country you live in, if you would only tag your posts, and begin commenting on more blogs than just Cynthia’s and mine, so people could find you. I on the other hand am not really a blogger. I’m a long-winded writer (and always have been) who fell into blogging as a way to find an audience. I’ve adapted a bit, but only a bit. As for “getting to know me,” the academic me is a tiny part of the whole. When you’ve rested up from your reading, try the post captioned “Some Thoughts (If You Can Call Them That) About Sex,” plus the comments and then see if you still “like” my ideas. 🙂

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    • Thank you so much for the reblog and the wonderful words, Nancy. I hope your followers, who appreciate your wide-ranging photography so well, will have the patience for this v-e-r-y “wordy” post, especially as James Joyce wrote most of it!

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